We hide in relationships. We hide in material possessions. We hide in ambitions, secret desires, hates, frustrations, jealousy, self-ptiy, in our insecurity - and more than anything our vanity and our egotism.
People are much less interested in what you are trying to show them than what you are trying to hide.
It takes more courage to reveal insecurities than to hide them, more strength to relate to people then to dominate them, more 'manhood' to abide by thought-out principles rather than blind reflex. Toughness is in the soul and spirit, not in muscles and an immature mind.
In dialogue scenes, my favorite moments are when people aren't talking because you can cut to the heart of the matter much more quickly, often with a look. People hide things in words. When you don't have words to hide things in, it becomes much more direct and much more immediate of a connection.
Artists use frauds to make human beings seem more wonderful than they really are. Dancers show us human beings who move much more gracefully than human beings really move. Films and books and plays show us people talking much more entertainingly than people really talk, make paltry human enterprises seem important. Singers and musicians show us human beings making sounds far more lovely than human beings really make. Architects give us temples in which something marvelous is obviously going on. Actually, practically nothing is going on.
Some people hide more than others, and it does intrigue me.
It [The Esemblist] is also about the generation of audience members that are watching shows and listening to us at the same time; hopefully, in time, when they listen to our show and then go see a show, they'll realize even more what it takes to make a show, and they'll know even more about everybody on stage, rather than just people above the title of the show.
Meeting at our fault lines is much more interesting to me than meeting at shared values. I'm not trying to sell you something. If anything, I'm trying to show you where we are. There is nothing to hide.
It's not what people do that scares me. It's what they hide. It's the secrets that keep us from bonding and create distrust. If we were more willing to accept each other's depravity we'd be more united, we'd be more honest. If you hide two things from me, I'll assume you're hiding a million. And I'll keep you at a distance. I'm not afraid of the evil in you. It's in me too.
We're all more than the person we show to everyone else. At least I hope so. Because I feel like there's more to me than that. I just haven't had the chance yet to show it.
I'm everything they are afraid of. Everything they hate. Everything they try to hide and a lot more. Besides, I speak my mind and show people what's out there in reality.
The British have been more up for it than the Americans were, particularly with respect to nudity in the show. In Europe there are adverts that show the breasts, so people are less frightened of that aspect of the show. Americans can withstand incredible violence on TV shows - which, as I come from England and Canada, I find difficult to stomach - but they are more puritanical when it comes to nudity on screen.
We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
I live my life because I dare. I dare to show up when everyone else might hide their faces and hide their bodies in shame.
Religious people love to hide behind religion. They love the rules of religion more than they love Jesus. With practice, Condemners let rules become more important than the spiritual life.