A Quote by John Starks
There were butterflies, otherwise, you're not really ready to play. The locker room, I remember, was quiet and we were very focused on playing that game.
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There were times that we'd be in the locker room there before everyone else, and a guy would walk in, say, 'Is this the Kliq locker room?' So we'd draw with a sharpie on the back of a program and write 'Kliq locker room'. I can promise you that none of those signs were ever on WWE letterhead.
I trained with a locker room and roster full of men, and we were all a family, and they all took care of me like their little sister. It's what I want out of a locker room. I think it helps the locker room, and it's a part of the success of the NXT women's division.
Egyptian drumming happens to be a favorite of mine. It's a really simple instrument, but it's really difficult to play. You can take it anywhere with you - you can play it in your room, in an airport. It's very quiet, so you explore the quiet side.
I think it makes the game much easier to play once you have a good cohesion off the court. I think that's big because you come into a locker room at the NBA level, there's so much emotion, so much pride in the locker room.
Growing up I was a total movie-holic, but I always wanted to play the role that Clark Gable was playing or Spencer Tracy was playing. I was really never interested in the parts that women were playing. I found the parts that guys were playing were so much more interesting.
And they were quiet but their blood and nerves and butterflies were not—they were rampantly alive, rushing and thrumming in a wild and perfect melody, matched note for note.
People were talking while I was playing, so I got up and left the stage. I've gotten to the point where I'm not really very patient with patrons rapping during the show. And the people were all nice and quiet when I cam back.
When I compete, I love a huge crowd, expectation, pressure, and I like to have nerves: the butterflies flying and my hands shaking. This way, I am completely amped, focused, and ready; otherwise, I tend to be to relaxed, content, and don't perform at my maximal potential.
On teams that have won championships and got to the big game, there's a certain vibe and feel in that locker room. Everyone talks about how there's a brotherhood in that locker room, there's not a lot of dissent, there's not guys that go off on their own. It's a team atmosphere.
I got a concussion on the final play of a game, and I don't remember leaving the field. No one helped me off the field. Apparently I was on my feet and I just followed the crowd of players into the locker room. I don't know where I was or what I did for 10 minutes.
My parents are from the South - they were both born in Birmingham - so my dad saw R.E.M. really early on when they were playing college stuff in Athens. He had a bunch of their cassettes from the '80s, and when I was 8, 9, or 10, those were the sort of things that were around the cassette player in the living room.
For a long time, I was an assistant in the NFL to George Allen, and George was paranoid that other teams were cheating on him... that they were offering bounties, that they were wiring our locker room, that they were putting food poisoning into the pregame meal of the other team's stars, stuff like that.
I remember one time I wrote something very, very critical about Wilt Chamberlain. The next time I saw him - and Wilt was not a man, as huge as he was - he was not a man of confrontation. And we were in the Lakers locker room. And he sent Jerry West over, and he said, 'Frank, Wilt would like you to leave.'
What I meant by that is, any time you have adversity, now you've got a chance to see all of these guys play every game the rest of the way like it's a playoff game. What you want guys to do when there's adversity is to play harder and play better, and that's when you see what kind of guys you have in your locker room.
I consider myself more of a loner now and I think when you get older, especially in this game, and just talking with other players who have come and gone, I see what they were saying when I was a young guy in the locker room.
Our songs were not written to be listened to in headphones or on the radio. They were written to be played. All of the little infinite detail that went into the arrangements and giving ourselves lots of breathing room in terms of playing what we wanted to play and using up any ideas that we had - all of those were conceived to be performed.
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