A Quote by John Steinbeck

Write freely and as rapidly as possible and throw the whole thing on paper. — © John Steinbeck
Write freely and as rapidly as possible and throw the whole thing on paper.
Write freely and as rapidly as possible and throw the whole thing on paper. Never correct or rewrite until the whole thing is down. Rewrite in process is usually found to be an excuse for not going on.
When I write a book I'm always questioning the project as a whole. I always feel I might have to just throw it away and forget about it, and I've done that with novels I've started and worked on for a long time. It's an option I need in order to write freely.
All men have inalienable rights to think freely, to talk freely, to write freely their own opinions and to counter or utter or write upon the opinions of others.
It costs so much to make films. With a novel, you can write the whole thing on a ream of paper from Staples for $4.
It was really a means-of-production problem. It costs so much to make films. With a novel, you can write the whole thing on a ream of paper from Staples for $4.
On a piece of paper, write down the thing that is stressing you, the obstacle that is in your way. Then put it in a box and just leave it there. At the end of about a week, dispose of it - throw it in the trash or bury it - some sort of ritualistic act of releasing it.
I write thank-you notes the minute I throw the wrapping paper away.
Because we've become so ecologically minded now, they have developed a product called Rapidly Dissolving Toilet Paper. Just how rapidly are we talking? 'Cause I don't want to have to play Beat the Clock in the thicket.
I don't write easily or rapidly. My first draft usually has only a few elements worth keeping. I have to find what those are and build from them and throw out what doesn't work, or what simply is not alive.
Chroniclers of the role of paper in history are given to extravagant pronouncements: Architecture would not have been possible without paper. Without paper, there would have been no Renaissance. If there had been no paper, the Industrial Revolution would not have been possible. None of these statements is true.
A lot of the people involved in the media are very serious, honest people, and they will tell you, and I think they are right, that they are not being forced to write anything... What they don't tell you, and are maybe unaware of, is that they are allowed to write freely because their beliefs conform to the... standard doctrinal system, and then, yes, they are allowed to write freely and are not coerced.
Usually, the way I write is to sit down at a typewriter after that year or so of what passes for thinking, and I write a first draft quite rapidly. Read it over. Make a few pencil corrections, where I think I've got the rhythms wrong in the speeches, for example, and then retype the whole thing. And in the retyping I discover that maybe one or two more speeches will come in. One or two more things will happen, but not much.
It's better to throw a theoretically poorer pitch whole-heartedly, than to throw the so-called right pitch with feeling of doubt-doubt that's it's right, or doubt that you can make it behave well at that moment. You've got to feel sure you're doing the right thing-sure that you want to throw the pitch you're going to throw.
You philosophers are lucky men. You write on paper and paper is patient. Unfortunate Empress that I am, I write on the susceptible skins of living beings.
I wrote 'She's a Lady' on the back of a TWA menu, flying back from London after doing Tom Jones's TV show. Jones's manager wanted me to write him a song. If I have an idea and I don't have a pad of paper, I'll write on whatever is available. What's the difference? Paper is paper.
I don't feel I write fast. I write in longhand and do so much revision. On the page, it's so old-fashioned. I could write a whole novel on scrap paper, scribbles and things. I keep looking at it and something develops. For me, using a word processor would mean staring at a screen for too many hours.
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