A Quote by John Steinbeck
I have written a great many stories and I still don't know how to go about it except to write it and take my chances.
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I believe that if a child has a feel for writing and wants to write, there is an audience. Children should just dive in and go at it. I would encourage children to write about themselves and things that are happening to them. It is a lot easier and they know the subject better if they use something out of their everyday lives as an inspiration. Read stories, listen to stories, to develop an understanding of what stories are all about.
Small presses take chances. Chances are at the heart of all the literature we later know as great.
Good writing, in my opinion, is writing that looks really easy, so easy that a person who has never written more than a grocery list might convince themself that they could also write a book. That being said, it's always a lot of work, as you know. And then there's this: you have no idea how many failed stories and novels I've attempted. I have files full of stories that didn't work for whatever reason.
Taking chances for the people you care most about is easy. It's hard to take chances that might mean making bad decisions. But when I have to take chances about people I love, relationships, my daughter and immediate family, those decisions are easy. I make them without even thinking about it, it is usually something that just has to be done. You don't question anything, you just go for it.
How many stories do you know about people cooped up in places because of deep snowfall? How many stories where something good happens to those people?
How many chapters have been written about love verses - and how many more might be written! - might, would, could, should, or ought to be written! - I will venture to say, will be written!
My writing knows more than I know. What a writer must do is listen to her book. It might take you where you don’t expect to go. That’s what happens when you write stories. You listen and you say ‘a ha,’ and you write it down. A lot of it is not planned, not conscious; it happens while you’re doing it. You know more about it after you’re done.
All stories I write are compulsive. Anything I've ever written was because I don't have a choice. I write stories because I can't wait to tell it, I can't wait to see how it ends.
All stories I write are compulsive. Anything I’ve ever written was because I don’t have a choice. I write stories because I can’t wait to tell it, I can’t wait to see how it ends.
I have a notebook that I take with me everywhere. I free-write in it when there are situations that I know I can write a song about. I will just start writing everything that I can think of while trying to write some things that are kind of poetic or sound like they could be in a song. Then, after the music is written, I go back and look at my subjects to see which one I think woud go with what music. Then, I formulate it into a melody and get the song.
We live in a society that is in transition from oral to written. There are oral stories that are still there, not exactly in their full magnificence, but still strong in their differentness from written stories. Each mode has its ways and methods and rules. They can reinforce each other; this is the advantage my generation has - we can bring to the written story something of that energy of the story told by word of mouth.
I may not have written the stories that I've written if I hadn't ended up in Niverville. I don't know; I don't know. How can you know?
It's not important how many mistakes you make; it's about how many chances you create and how many goals you score. That is my philosophy.
When you think of bike couriers, you think of hyper speed. They get paid by how fast they can drop stuff off. The faster you go, the more chances you take. And the more chances you take, the greater the war between cyclists and cars.
Like so many aspiring writers who still have boxes of things they've written in their parents' houses, I filled notebooks with half-finished poems and stories and first paragraphs of novels that never got written.
The truth is, everything we know about America, everything Americans come to know about being American, isn't from the news. I live there. We don't go home at the end of the day and think, "Well, I really know who I am now because the Wall Street Journal says that the Stock Exchange closed at this many points." What we know about how to be who we are comes from stories. It comes from the novels, the movies, the fashion magazines. It comes from popular culture.
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