A Quote by John Steinbeck
If a scene or a section gets the better of you and you still think you want it-bypass it and go on. When you have finished the whole you can come back to it and then you may find that the reason it gave trouble is because it didn't belong there.
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The writer is driven by his conviction that some truths aren't arrived at so easily, that life is still full of mystery, that it might be better for you, Dear Reader, if you went back to the Living section of your newspaper because this is the dying section and you don't really want to be here.
If you actually get that you're not entitled to be loved, not by one person, not by anybody, and if you get that and then you look at people who love you - who love you - who think, my life is better because you, you are in it - that they get up and think, my whole world is better because you're in it, that for some reason they love you, and that they walk this world when you're not around thinking, but you're in it, and they come home and they want to call you, they want to come home and see you, your face - you can never make a person love you but somehow they do.
You do stuff that gets a reaction and you think 'that's a winner' and then it never sees the light of day. But the thing with improvisation is that 90% of what you come up with won't be used and for good reason. But you keep going for the occasional gem that you might come up with. You do a scene and a lot of the time. We wouldn't cut. So, you come up with something that might be funny and then you go, 'alright, what else'? So, you kind of throw stuff against the wall and see what happens. But you've got to be prepared to make a fool of yourself.
I think that all actors find they go down and then they come back up if you work on your craft. They come back up to the top and then they go back down and they come back up and they go back down.
Occasionally, as an actor, you're not... Sometimes, at least for me, I'm not fully in the groove until the second or third take, in which I would not want to just stop. If it's a scene that takes a lot of work and time, sometimes the scene gets better with time, and sometimes it gets exhausted. I think it just depends on the scene.
I think the reason these readers come back to me is because I represent their points of view. It may not be my point of view, but that's OK. Everyone still deserves to have their say.
It gets better: there's a light at the end of the tunnel. It may take one day, it may take ten years. But one day, you will find happiness if you manifest it. Put that energy out, and it'll come back.
I think that we ill-prepare athletes from the very beginning. From the moment they pick up a ball or kick or whatever it is they're doing. We ill-prepare them. Especially with the major sports. What you see is this cycle of entitlement that gets thrown their way, so the kid who is in junior high and hasn't finished his test, but still gets to play because he is an athlete, fails the test and still gets to play because they're an athlete, gets to get away with not doing chores at home because they've got practice.
I gave my life to Christ, and I thought that would be it for me, and He was, like, 'No, you're not finished with acting; acting is not finished with you. This is your talent. Go back into it, but you're going back into it with a heart that's not obsessive over it.'
The words come. Usually, it's a long time before they come. And then when they start to come, it doesn't take so long for it to be finished. It takes a long time to begin. And then it sort of gets finished.
God gave us reason. He gave us the ability to reason and also have faith and I think that reason and faith go together. I don't think that they're opposed. I think we've reached the point where we need to look at modern superstitions and hold them up to the light of reason and accountability.
The depressing thing about battery technology is that it gets better, but it gets better slowly. There are a whole bunch of problems in materials science and chemistry that come in trying to make existing batteries better.
As an actor, you always find your way. You have whatever preparation techniques you use, and you just go with the scene when you're on set. You can only plan so much when you're working, because things have to come naturally in the scene.
I'm not in show business because I don't have to go to the meetings, I'm just not a part of it, I don't belong to it. When you "belong" to something. You want to think about that word, "belong." People should think about that: it means they own you. If you belong to something it owns you, and I just don't care for that. I like spinning out here like one of those subatomic particles that they can't quite pin down.
Usually I work out the plot before I start. This time I thought: Writers always talk about not knowing where a book is going - -I want to experience that, too. What I found out is that it's very interesting, but it takes much longer because you have so many false starts. You take wrong turns and you have to go back and start the whole chapter, or the whole section, from scratch.
I think the reason why people have trouble fighting me is because I don't come from a specific background, and they can't prepare to fight me. I come in, and I push the pace, and I think that pushes a lot of people off their game, as much as I push the pace through the whole fight.
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