A Quote by John Steinbeck

I wish to God I knew as much about writing as I did when I was 19. I was absolutely certain about most things then. Also, I suspect, more accurate. — © John Steinbeck
I wish to God I knew as much about writing as I did when I was 19. I was absolutely certain about most things then. Also, I suspect, more accurate.
There are certain things that I wish people knew - certain things that I feel I started and certain things that I'm responsible for. Sometimes you wish people knew where a certain style of rapping came from or who was the first one to say whatever.
One of the first things that helped me to understand certain things about writing was seeing 'The Iceman Cometh' in the Village when I was a kid, before I ever became a newspaperman, and realizing that the world I knew could also be the subject of some amazing stuff.
If you think it's worth writing a book about then that means you suspect that you're not the only one. You suspect that it has something to do with the larger patterns of your culture.
How little we know of what there is to know. I wish that I were going to live a long time instead of going to die today because I have learned much about life in these four days; more, I think than in all other time. I'd like to be an old man to really know. I wonder if you keep on learning or if there is only a certain amount each man can understand. I thought I knew so many things that I know nothing of. I wish there was more time.
The stupidest thing she knew was for people to act like they knew all about the things they knew absolutely nothing about.
One of the most wonderful things about knowing God is that there’s always so much more to know, so much more to discover. Just when we least expect it, He intrudes into our neat and tidy notions about who He is and how He works.
I like the idea that Ernest Hemingway always wrote about certain things he knew, he knew the ins and outs, back to fronts of what he was talking about. I love that as an inspiration for myself, to keep it true to what you know. I'm always writing little lines and saving them for later.
We spoke to God about the children, and we were afraid to ask God for specific things. We thought that it might be too much. So we said to God 'Please give us a healthy child' and left it at that, not knowing that God is a generous God, but also has a sense of humor. And if you leave that much open for God, some wonderful jokes are going to come about.
If somebody would've told me that I was going to lose my legs at the age of 19, I would've thought there's absolutely no way I'd be able to handle that. But then it happened, and I realized that there's so much more to live for, that my life isn't about my legs.
Mostly I'm writing about people, so I feel constrained to take with me my view of people, my curiosity about how people choose the things they do and why they come to certain decisions in a certain fashion and all the things that drive most writers.
The things about my childhood that I really loved the most, writing about those things was hard because I knew they would never happen again.
I take responsibility for the times I was arrested and the things that I did. Me being 33 now, I look back on those times and I wish that a lot of things I didn't do. I wish I could have back because I see how much I influence people. People wanna follow in my footsteps and I wish that I can now do more positive things, and that back then I'd done more positive things.
When I'm writing for a book, it's much more reflective process. I have certain things that may not translate well to the stage, but, when they're on the page, people can really get into them. My first two books were aiming to be funnier, but the third was more about deep exploration. Things about being a parent and growing older that I thought would be perfect for a book.
I'm quite sure Shakespeare enjoyed writing Iago much more than he did writing Othello. If you write about someone you love, what the hell are you supposed to say about that person? It's much better to have something between you and your main character that grates.
I've done everything. All of it. You think it, I've done it. All the things you never dared, all the things you dream about, all the things you were curious about and then forgot because you knew you never would. I did 'em, I did 'em yesterday while you were still in bed. What about you? When's it gonna be your turn?
In the final exam in the Chaucer course we were asked why he used certain verbal devices, certain adjectives, why he had certain characters behave in certain ways. And I wrote, 'I don't think Chaucer had any idea why he did any of these things. That isn't the way people write.' I believe this as strongly now as I did then. Most of what is best in writing isn't done deliberately.
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