A Quote by John Steinbeck
A kind of second childhood falls on so many men. They trade their violence for the promise of a small increase of life span. In effect, the head of the house becomes the youngest child.
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My dad taught me from my youngest childhood memories through these connections with Aboriginal and tribal people that you must always protect people's sacred status, regardless of the past. Every time you lose an animal, it's like losing a brick from the house. Pretty soon the house just falls down, you know?
The natural effect of low interest is to increase trade and industry; because undertakings of every kind can be prosecuted with greater advantage.
As parents, can we counter the effect of television violence? One worrying feature in Britain is that so many TV sets are in a child's bedroom; this means that the mediating effect of watching with a parent, the ability to discuss and interpret what has been seen, is lost.
The key to the future in an aging society is not found in increasing just our life span; we need to increase our health span at the same time.
Although we take it for granted, sanitation is a physical measure that has probably done more to increase human life span than any kind of drug or surgery.
Whenever you have an animal and bring another one into the house, it's a very traumatic event. It's a story as old as bringing home a second child from the hospital, when the first child kind of goes, 'Hey, aren't I enough?'
My approach to violence is that if it's pertinent, if that's the kind of movie you're making, then it has a purposeI think there's a natural system in your own head about how much violence the scene warrants. It's not an intellectual process, it's an instinctive process. I like to think it's not violence for the sake of violence and in this particular film, it's actually violence for the annihilation of violence.
You're just these kids from a small town. You get a record deal, and everything just goes so fast. In the span of five albums... in a way, the band that you started in your bedroom, or your basement or your garage, kind of becomes not your band anymore. It becomes something bigger than you could have known. No one really prepares you.
For some men, life seems to be one long attempt to escape childhood and all the fears of childhood. That's what many of us are doing.
Many quite popular films are filled with violence. I think the difference between those and my films is that I show the cause and effect of violent activity. It's not a Donald Duck situation where he get a brick in the back of the head and gets up and walks away in the next frame. Mine have violence which keeps Donald Duck in the hospital for six months and creates a trauma which he will remember for the rest of his life.
From my second son Gustav, I bought one of his complaints for 200 kroner. He was complaining that he was a middle child - he wasn't the beloved first child, and he wasn't the cute little youngest child. So I said, can I use that same wording in a film? And he said yeah. So I bought it from him.
All the time a person is a child he is both a child and learning to be a parent. After he becomes a parent he becomes predominantly a parent reliving childhood.
For there is another kind of violence, slower but just as deadly, destructive as the shot or the bomb in the night. This is the violence of institutions; indifference and inaction and slow decay. This is the violence that afflicts the poor, that poisons relations between men because their skin has different colors. This is a slow destruction of a child by hunger, and schools without books and homes without heat in the winter.
I was the youngest of the house that I grew up in, so I feel like, as the youngest, you have it pretty good. At the same time, I guess I required a lot of attention, being afraid of so many different things. So I was never seeking attention; I wanted the opposite.
I found out that when you get married the man becomes the head of the house. And the woman becomes the neck, and she turns the head any way she wants to.
I was the youngest of the house that I grew up in, so I feel like as the youngest you have it pretty good. At the same time, I guess I required a lot of attention, being afraid of so many different things. So I was never seeking attention; I wanted the opposite. I just knew that when I saw Michael Jackson on the television screen once, it was, like, "That's it! That's what I'm doing for the rest of my life." I never questioned that.
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