A Quote by John Steinbeck

A funeral isn't for the dead. You'll simply be a stage set for a kind of festival maybe. And besides, you won't even be there. — © John Steinbeck
A funeral isn't for the dead. You'll simply be a stage set for a kind of festival maybe. And besides, you won't even be there.
The man who is too set to change is dead already. The funeral is a mere detail.
I make it a kind of pious rule to go to every funeral to which I am invited, both as I wish to pay a proper respect to the dead, unless their characters have been bad, and as I would wish to have the funeral of my own near relations or of myself well attended.
So, the concept was a single-stage festival, and I open and close the festival to encourage people to stay for all of the other artists.
When I was little, all I could think about was just being on some kind of stage, whether it be on a live stage, whether it be on a set stage.
Maybe lurking in my unconscious was the idea that when someone's collected poems are published it means that the poet is dead. I found myself looking at my work as if I were at my own funeral.
Steven and I stood on the stage at the Boston Garden after the Stones had just played there and the stage was still up. We had been playing cards, maybe a high-school dance, to 400 or 500, maybe a thousand. We just stood on the stage and thought, 'Well,man,maybe someday.' In 4 years that was OUR stage.
At the end of the day, if I do a set at a festival and I only have an hour, which is kind of short for a DJ set, I know that I have to play at least six of my songs. Then the whole challenge is what do I weave around that. How do I stand out? Because at a festival there's probably fifteen songs every DJ's going to play every hour, for the whole day. That to me is more interesting, because I still feel like an outsider in this world.
The Woodstock Film festival is among the finest of a dying breed: a festival that isn’t trying to sell you anything, but simply and beautifully celebrating the art & craft of filmmaking.
Maybe it was that nearly everyone else was dead and she felt a little bit dead too, but she figured that even a vampire deserved to be saved. Maybe she ought to leave him, but she wasn't going to.
I stopped my iTunes festival set because someone fainted at the front. It felt like the right thing to do at the time but maybe I was being too sensitive.
I created a successful outdoor youth festival - the Liverd festival - against all good advice. It was a great way to explore and investigate social sculptures. Having that as my kind of studio, outside of a museum or precious white-cube gallery, that was a kind of education.
Kind of wish I was dead. Maybe, I'll blow my brains out, mama, or maybe I'll go bowling.
I basked in you; I loved you, helplessly, with a boundless tongue-tied love. And death doesn't prevent me from loving you. Besides, in my opinion you aren't dead. (I know dead people, and you are not dead.)
I've played festivals in Australia. If it's a dance music festival or mainstream festival, there's maybe, like, 10 percent who pay attention to the music.
Eerily, the coronation was kind of a reverse of Tatiana?s funeral. What was the old saying? The queen is dead. Long live the queen
I'm aware of what I am, but I focus so much on myself as a musician and as an artist that I don't even notice that I'm the only female on a festival bill. I'm just like "oh I'm playing this festival."I haven't been very deeply involved in this greater outreach because my approach to equality is integration. I'm not into separatism, or an all-female festival. It's good and empowering but it doesn't allow for the bigger picture to get accomplished. We all need to be at the same festival - that's always been my approach.
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