A Quote by John Szarkowski

Most of Tina Modotti's work that is known to the photography world was done in Mexico in the years 1923 through 1926, when she lived and worked with Edward Weston. — © John Szarkowski
Most of Tina Modotti's work that is known to the photography world was done in Mexico in the years 1923 through 1926, when she lived and worked with Edward Weston.
Edward [Weston] was the first artist - and I don't use the word lightly - to make a living doing art photography. Other photographers did commercial work, or worked for the government.
[My photography teacher] gave me the Mexican Day Books of Edward Weston and just blew me away with this work. The fact that you could be this fabulous visual artist, with all this milieu of people like Diego Rivera and you could sleep with these gorgeous, amazing women, that you could live that life - that photography could deliver you that life.
Black-and-white photography, which I was doing in the very early days, was essentially called art photography and usually consisted of landscapes by people like Ansel Adams and Edward Weston. But photographs by people like Adams didn't interest me.
What stands out to me most about Maya Angelou is not what she has done or written or spoken; it's how she lived her life. She moved through the world with unshakable calm, confidence and a fierce grace.
I'm not going to work so that Pena Nieto is the best known or most recognized in the world. I'm going to work so that Mexico has results.
I've lived and worked in Mexico; I love Mexico.
I tensed for the spring, my eyes squinting as I cringed away, and the sound of Edward's furious roar echoed distantly in the back of my head. His name burst through all the walls I'd built to contain it. Edward, Edward, Edward. I was going to die. It shouldn't matter if I thought of him now. Edward, I love you.
For me photography had an immediacy... I was trying to resolve certain issues. What was fair or unfair about how people lived, and how they had to live? I thought the most penetrating and most immediate way to get to some of those questions was through photography.
There is a lot of social photography being done now to point to the untruth of photography. It's getting very dull now. So, okay photography doesn't tell the truth. So what? Everyone has known this forever.
My parents were both in the army for 20 years and then worked in government departments; but they had gone through the Great Depression and known lean times. They always remained extremely frugal and lived far below their means.
To be honest the work that a producer does is work that I've done for most of my working life. It's work that I started to do, for example, when I worked with Sally Potter on Orlando. We developed it together over five years.
Selam is our most complete skeleton of a three-year-old girl who lived and died 3.3 million years ago. She belongs to the species known as Australopithecus afarensis.
At my age I'm exactly the kind of person who has lived through one of the most quickly changing periods known to history. Surely there could never be in seventy years so much change.
I'm quite happy with the body of work that I've done, and I've done some really good work over the years that I'm proud of. I'm proud of some of the people that I've worked with, been lucky to have worked with.
Mexico is a Latin powerhouse. And Mexicans, they're known as hard workers. Here in the U.S., not everybody wants to do those kinds of jobs. I've lived. I know what it feels like and what they go through and how families suffer.
I got involved through the director of the show [Top Chef], he's a director of films in Mexico; I worked with him before. I watched the show in English -many times for many years - and I always loved it. As soon as I heard about having an opportunity to showcase Mexico in a different way, to show a different side of Mexico, that is not violent, that has beautiful colors and delicious food... I didn't think about it twice.
This site uses cookies to ensure you get the best experience. More info...
Got it!