A Quote by John Szarkowski
Photography is choosing where to point your eye-cone.
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Photography is a system of visual editing. At bottom, it is a matter of surrounding with a frame a portion of one's cone of vision, while standing in the right place at the right time. Like chess, or writing, it is a matter of choosing from among given possibilities, but in the case of photography the number of possibilities is not finite but infinite.
Photography is inherently an analytic discipline. Where a painter starts with a blank canvas and builds a picture, a photographer starts with the messiness of the world and selects a picture. A photographer standing before houses and streets and people and trees and artifacts of a culture imposes an order on the scene - simplifies the jumble by giving it structure. He or she imposes this order by choosing a vantage point, choosing a frame, choosing a moment of exposure, and by selecting a plane of focus.
With photography, everything is in the eye and these days I feel young photographers are missing the point a bit. People always ask about cameras but it doesn't matter what camera you have. You can have the most modern camera in the world but if you don't have an eye, the camera is worthless. Young people know more about modern cameras and lighting than I do. When I started out in photography I didn't own an exposure meter - I couldn't , they didn't exist! I had to guess.
He took a dog-doo snow cone and stuffed it in my right eye. He took a dog-doo snow cone and stuffed it in my other eye.
Don't use your skin tone as a guide to choosing the color of your eye shadow. Rather, for everyday application, pick shades of shadow that bring out your eye color.
Your eye level is your reference point for drawing the perspective lines. All lines above your eye level will go down to the horizon vanishing point and all lines below your eye level will go up to the horizon vanishing point.
There is a lot of social photography being done now to point to the untruth of photography. It's getting very dull now. So, okay photography doesn't tell the truth. So what? Everyone has known this forever.
Photography is a strange phenomenon... You trust your eye and cannot help but bare your soul.
To us, the difference between the #? photographer as an individual eye and the photographer as an objective recorder seems fundamental, the difference often regarded, mistakenly, as separating photography as art from #? photography as document. But both are logical extensions of what photography means: note-taking on, potentially, everything in the world, from every possible angle.
Take a portion of wit, And fashion it fit, Like a needle, with point and with eye: A point that can wound, An eye to look round, And at folly or vice let it fly
Hip-hop is not about pretense. You can be missing an eye; you can have an ice-cream cone in your face; you can run around with Bantu knots; you can decide to wear gold, all everything. It's not about how you look - it's about what you say. It's about what message you're getting across.
It is you who are choosing, in any moment, to be happy or choosing to be sad, or choosing to be angry, or forgiving, or enlightened, or whatever. You are choosing.
Isn't that how it is when you must decide with your heart? You are not just choosing one thing over another. You are choosing what you want. And you are also choosing what somebody else does not want, and all the consequences that follow. You can tell yourself, That's not my problem, but those words do not wash the trouble away. Maybe it is no longer a problem in your life. But it is always a problem in your heart.
I was attracted to photography because it was technical, full of gadgets, and I was obsessed with science. But at some point around fifteen or sixteen, I had a sense that photography could provide a bridge from the world of science to the world of art, or image. Photography was a means of crossing into a new place I didn't know.
I assumed from the outset that photography was already art, and that I and other people working in photography were artists. I understand now that this was a minority point of view.
Today your technology is far more sophisticated. Forget about sending a reconnaissance aircraft, your satellites provide you information on a minute-to-minute basis. Similarly, when missiles were fired, every missile has a camera in its cone, on its nose, and it keeps relaying information until the point of its impact.
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