A Quote by John Tanton

I’ve come to the point of view that for European-American society and culture to persist requires a European-American majority, and a clear one at that. — © John Tanton
I’ve come to the point of view that for European-American society and culture to persist requires a European-American majority, and a clear one at that.
From a German point of view, German-American and European-American relations are a pillar of our foreign policy.
In European thought in general, as contrasted with American, vigor, life and originality have a kind of easy, professional utterance. American -- on the other hand, is expressed in an eager amateurish way. A European gives a sense of scope, of survey, of consideration. An American is strained, sensational. One is artistic gold; the other is bullion.
I'm a European, and I live there. I work in European films, and then once in a while, I make an American movie.
I am closer to a European viewpoint of the world than an American one. My ethics and ideals are based on European concepts.
European teams have always shied away from South American football. They struggle to get to grips with it. The South American game is more technical and about keeping possession, while European football is more dynamic, physical and direct.
I see myself as, first and above all, a teacher of history; next, a writer of European history; next, a commentator on European affairs; next, a public intellectual voice within the American left; and only then an occasional, opportunistic participant in the pained American discussion of the Jewish matter.
I've created a bridge between European electronic culture and urban American culture, and I've worked with established brands.
There's more emphasis on art and culture in Europe than there is in the United States and I think that a lot of American directors and writers are just trying to copy other American horror films, they don't pick up much in the way that European filmmakers do.
I'm European, and my roots are in Europe. But Boston is one of the most, in a way, European American cities. And I think I'll find a lot of similarities, historically and architecturally and tradition-wise.
Almost by definition, secularism cannot be a future: it's a present-tense culture that over time disconnects a society from cross-generational purpose. Which is why there are no examples of sustained atheist civilizations. "Atheistic humanism" became inhumanism in the hands of the Fascists and Communists and, in its less malign form in today's European Union, a kind of dehumamism in which a present-tense culture amuses itself to extinction. Post-Christian European culture is already post-cultural and, with its surging Muslim populations, will soon be post-European.
European society has always been divided into classes in a way that American society never has been. A European writer considers himself to be part of an old and honorable tradition--of intellectual activity, of letters--and his choice of a vocation does not cause him any uneasy wonder as to whether or not it will cost him all his friends. But this tradition does not exist in America.
I think the American justice system has a lot more issues than the European justice system, especially the Scottish justice system. We have a really nice mix of European codified law and the traditional English system of common law, which is what the American system is based on.
I think one can live in American society with a certain cultural heritage, whether it's an African heritage or other, European,what have you, and still absorb a great deal of this culture. There is always cultural assimilation.
Let's be careful when we start comparing American to European tolerance because there isn't necessarily a lot of European tolerance.
We have used the presence of UNMIK, as well as other European and American agencies to establish a legal framework compatible with the European Union and that is already an advantage. We have seen the positive effects of this and our parliament will continue to go this way.
At the first meeting of the newly constituted Warren Commission, [former CIA Director] Allen Dulles handed out copies of a book to help define the ideological parameters he proposed for the Commission's forthcoming work. American assassinations were different from European ones, he told the Commission. European assassinations were the work of conspiracies, whereas American assassins acted alone.
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