A Quote by John Tavener

'Canticum Sacrum' is wonderfully archaic. What Stravinsky does is extraordinary. It takes you on a journey from Gregorian chant right through to the modernism of Webern - and all in 17 minutes.
Gregorian chant, Romanesque architecture, the Iliad , the invention of geometry were not, for the people through whom they were brought into being and made available to us, occasions for the manifestation of personality.
The acquisition of knowledge need not be like listening to the Gregorian chant.
The best argument for Christianity is the Gregorian chant. Listening to that music, one can believe anything -- while the music lasts.
An authentic updating of sacred music can take place only in the lineage of the great tradition of the past, of Gregorian chant and of sacred polyphony.
Since I didn't have any kind of formal training, it didn't make any difference to me if I was listening to Lightnin' Slim, or a vocal group called the Jewels ... , or Webern, or Varèse, or Stravinsky. To me it was all good music.
I knew I could always work harder and be better and show I'm more prepared. I had a whole science to, like, how you have to arrive 17 minutes early to something. If you're 20 minutes early, that means you're too eager, but 17 minutes gives you time to, like, settle, sign in, use the ladies' room, have some water, and get comfortable.
I listen to music when I write. I need the musical background. Classical music. I'm behind the times. I'm still with Baroque music, Gregorian chant, the requiems, and with the quartets of Beethoven and Brahms. That is what I need for the climate, for the surroundings, for the landscape: the music.
You might wish to try Kali's mantra. Kali is another celestial being. She offers very fast spiritual progress through intensity. Her mantra is "Kring!" When you chant Kring, chant it very intensely and sharply. Only chant Kring when you are in a high meditation.
Modernism, rebelling against the ornament of the 19th century, limited the vocabulary of the designer. Modernism emphasized straight lines, eliminating the expressive S curve. This made it harder to communicate emotions through design.
You can take wonderfully talented actors, wonderfully talented writers and producers, and, uh, do a wonderful show!... but if it doesn't hit with the public in two minutes, it's bye-bye.
There is this tremendous amount of arrogance and hubris, where somebody can look at something for five minutes and dismiss it. Whether you talk about gaming or 20th century classical music, you can't do it in five minutes. You can't listen to 'The Rite of Spring' once and understand what Stravinsky was all about.
Stravinsky the composer I worship. Stravinsky the thinker I despise.
For me, 2016-17 was hell, and there's no way around it for me. I went through pain, depression, fear, doubt, and all of that was a journey that I was able to write through, and then I wrote when I was coming out of that dark place as well.
I really take pride in doing my own make-up all the time, which takes me about 40 minutes, and my hair takes another 15 to 20 minutes. Putting on my gear is probably another 15 minutes, so all in all, I don't think an hour and a half is too bad!
The whole Ireland was taken over by greed and materialism. It was extraordinary. The price of every house had skyrocketed. If you were a small farmer and you had two fields outside, if you built 17 bungalows on them all, you become a millionaire, that kind of thing. It was extraordinary to see how rapidly that kind of ethic takes over a whole culture, but that's what's happened to us since the year 1998, about. It's completely extraordinary how little regard the culture had for the landscape. The country is now full of these half-built industrial parks and hotels.
The moment in the account of Adam and Eve in the book of Genesis is when they realize they're naked and try and cover themselves with fig leaves. That seemed to me a perfect allegory of what happened in the 20th century with regard to literary modernism. Literary modernism grew out of a sense that, “Oh my god! I'm telling a story! Oh, that can't be the case, because I'm a clever person. I'm a literary person! What am I going to do to distinguish myself?...a lot of modernism does seem to come out of a fear of being thought an ordinary storyteller.
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