A Quote by John Tesh

I was 23 years old. It was a wild time. I was covering everything that blew up - blackouts, Studio 54, son of Sam killer, and all of that stuff. — © John Tesh
I was 23 years old. It was a wild time. I was covering everything that blew up - blackouts, Studio 54, son of Sam killer, and all of that stuff.
I was going to Studio 54 when I was 12 years old. It's true. It's crazy.
Nobody's good. I hate it. I truly hate it. I mean, there's a lot of guys doing stuff I admire, but stand-up-wise I feel very alone. I really miss Bill Hicks. I wish I could have put him on my show. And I really miss Sam Kinison a lot. Richard Pryor's sick... It's like you get here and then, oh wait a minute, there's nobody here any more. I feel like the guy who finally got into Studio 54, three years too late, Duh, where are all the famous people?
I used to live in New York City, then when my son was two years old we moved to Cambridge Massachusetts and we've been there ever since. My son is now twenty-nine years old, so we've been up there for a while.
My son is 7 years old. I am 54. It has taken me a great many years to reach that age. I am more respected in the community, I am stronger, I am more intelligent and I think I am better than he is. I don't want to be a pal, I want to be a father.
I worked hard in gymnastics since the time I was six years old until I retired at 23 years of age.
Diana Vreeland was "the Empress," the avatar of the age. An old name or old money were not enough to get you into Studio 54 - or Interview magazine, for that matter. You had to have a lot of something else, like looks or brains or wit or fabulous clothes.
By the time I was 23 years old, I had multiple arrests.
I spent a summer in Texas when I was eight, in Fredericksburg, which is, like, real Texas. It's, like, cowboys and stuff. That was my first time in the States, and I was eight years old. It was also the first time I tasted Dr. Pepper, which blew my mind.
The first time I won the Ring of Honor World Championship, I was a kid - I was 23 years old.
I started down but Sam caught my arm and knelt down himself to look. "For crying out loud," he said. "It's a racoon." "Poor thing," I said. "It could be a rabid baby-killer," Cole told me primly. "Shut up," Sam said pleasantly.
My whole life at a certain point was studio, hotel, stage, hotel, stage, studio, stage, hotel, studio, stage. I was expressing everything from my past, everything that I had experienced prior to that studio stage time, and it was like you have to go back to the well, in order to give someone something to drink. I felt like a cistern, dried up and like there was nothing more. And it was so beautiful.
I wrote my first song when I was 54 years old.
I used to carry a notebook to the studio. I don't do that no more 'cause I don't have the time to write anywhere but right there in the studio on the spot. So when you hear my stuff, know that I wrote it in the studio.
There was a time when hip-hop was its own musical principle, aside from sampling. Like the entire Wild Style break is instrumental. Kurtis Blow's earliest stuff was studio musicians playing. Whodini had a real clear sound, things like "five minutes of funk," stuff that you could write really beautiful, lush string and horn arrangements around, stuff that was just music.
The characters I've played have been mostly violent, and I'm so far from being violent or aggressive. I spend a lot of time watching 'Fireman Sam' with my three-year-old son Louis.
I'm an old soul. I like the Nat King Cole; Sam Cooke is my favorite singer of all time. But I'm into neo-soul; I'm into R&B. Some of the modern stuff appeals to me, but most of it comes from an older time.
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