A Quote by John Thaw
I think Morse's thing about being a poor policeman but a good detective is a very good description of him.
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The bad thing about being with an actor is that the role he's in stays with him all the time. The good thing about being with an actor - well, I can't think of any good thing.
The average detective story is probably no worse than the average novel, but you never see the average novel. It doesn't get published. The average -- or only slightly above average -- detective story does.... Whereas the good novel is not at all the same kind of book as the bad novel. It is about entirely different things. But the good detective story and the bad detective story are about exactly the same things, and they are about them in very much the same way.
I was poor. When you're poor you work, and when you're rich you expect somebody to hand it to you. So I think being reasonably poor is very good for people.
A good laugh is a mighty good thing, and rather too scarce a good thing; the more's the pity. So, if any one man, in his own proper person, afford stuff for a good joke to anybody, let him not be backward, but let him cheerfully allow himself to spend and be spent in that way. And the man that has anything bountifully laughable about him, be sure there is more in that man than you perhaps think for.
That's another thing about my father. He made me very conscious of the fact I wasn't very good and I had to prove to him that I was good. And that hung with me, and I always wanted to play golf with him and show him. He said Never, Never tell anyone how good you are. Show them!
Steve Morse is a very good guitar player, but he's American, and he's using humbucker pickups. If you ask me, those two are not good.
The most important to me is, Theo is a good person first and foremost. And I think that has a lot to do with it. He's not deceitful. He's an honest guy, a good guy. There's a lot more to this thing than it being a job for him, being born and raised here, the Red Sox being as important as they are to him. Above all else, Theo understands he's a compromiser. Theo understands that the clubhouse is our home. He doesn't invade that privacy often. When he does, he doesn't make you uncomfortable and that says as much about him as anything.
I think that at the time, when I was first pregnant, it was hard to make the transition from being totally self-involved to not being able to think about myself at all. At the end of the day, I think that's the best thing that someone can go through. I think it makes you a better person. It doesn't mean that people who don't go through that aren't good people. For me, it was a good thing.
Any negative review you write, they'll say, "Oh, you're being so mean." I think the problem with a lot of criticism is that too many critics either write just description or they write in a Mandarin jargon that only a handful of people can understand, or they write happy criticis - everything is good that they write about. I think that's really not good. I think it's damaged a lot of our critical voices.
The good thing about poverty is it keeps you from getting in trouble because if you can't afford drugs, people will stop giving them to you very quickly. So, being poor really helps - it's the success that kills you.
I'm basically a cocktail jazz kind of pianist. I'll be the first to admit that I'm not a very good keyboard player. People think I think I'm good. I think I'm a very poor piano player.
Being a talented artist is good, it's nice, but it's not the most important thing. I think being a good storyteller, having a good idea, a good gag, is probably more important than being a great artist.
I think it need realness, you should speak on thing that you know about, that you being from, that you experienced or that you been around, you know. I think you need a good hook, good beats and good lyrics.
I think, very often, we're addicted to procedurals, those good guy/bad guy shows, and the 'problem' with procedurals is they all follow the same formula: The bad guy does his thing, the good guy goes after him, and in most cases, the good guy figures out who did it and catches him.
What I try to do is write a story about a detective rather than a detective story. Keeping the reader fooled until the last, possible moment is a good trick and I usually try to play it, but I can't attach more than secondary importance to it. The puzzle isn't so interesting to me as the behavior of the detective attacking it.
Whatsoever then you have well in this world, when you recollect to have done any thing good, be very fearful about it, lest the prosperity granted you be your recompense for the same good. And when you behold poor men doing any thing blameably, fear not, seeing that perhaps those whom the remains of the slightest iniquity defiles, the fire of honesty cleanses.
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