A Quote by John Thune

I've also said you don't rule any options out, because if you are in public life because you want to make a difference... obviously, you have to be open to those kind of possibilities.
We also don't always know what we want. And in those cases it can actually make us worse off because it's actually easier to figure out what you want and to figure out how the options differ if you have about a handful of them than if you have a hundred of them.
I've always been scared of becoming something. I fear the fact of jailing myself in any circle or group of people or specific work or specific style of music. I guess it is because I don't want to close myself to other possibilities. But it is also because I witnessed people growing and starting to speak only to those who are similar to them. This makes me run away, people who don't experience difference anymore.
Obviously, psychologically, it would make all the difference in the world. But I think it would also make a big difference financially. If people understood, that, "Y'know, having all those things, that I was told I was supposed to have, to be successful, really is not a measure of success, and I can't have them anyway -" Yeah, that would make a big difference. It would've made a big difference, I think, in my life.
Thales said there was no difference between life and death. Why, then, said some one to him, do not you die? Because, said he, it does make no difference.
I never want to turn something down because I'm afraid to do it, because of some idea of image or whatever. That was never anything I set out to do. In fact, the opposite, I always want to confuse people in terms of any kind of image and be unpredictable in any kind of movie I make.
A studio is an absolute labyrinth of possibilities - this is why records take so long to make because there are millions of permutations of things you can do. The most useful thing you can do is to get rid of some of those options before you start
I also want to take cognizance of the fact that this flight was made out in the open with all the possibilities of failure, which would have been damaging to our country's prestige. Because great risks were taken in that regard, it seems to me that we have some right to claim that this open society of ours which risked much, gained much.
For one, [ Freddie Roach] is wasting his time because I don't even read those reports. So that's the first thing. Secondly, I hear about them from other people around me and it doesn't make a difference to me. It seems kind of odd for him to be coming out so much and saying so many different things and every day it's a new thing. But like I said, I don't read them and I don't care about them and it doesn't make a difference come fight night.
I want to make films that make a difference. I want to be out and hope that that will make things better for gay people and for myself. I hope one day I can start to make the kind of projects or be involved with kind of projects that can really make a difference
On one hand, I kind of feel like I have unlimited options right now, and obviously that's not technically true, but when you're at this place where you're just kind of dreaming up stuff, your imagination is your limit. That's where I'm at, which is great, but ultimately I think you have to make these decisions to close off some options to yourself. I think things only get done when you say, "This is the one thing I'm doing," and you kind of kill the other ones in the meantime. So I haven't done that yet, I've got to figure that out.
The question is not 'Can you make a difference?' You already do make a difference. It's just a matter of what kind of difference you want to make during your life on this planet.
Each religion is a brave guess at the authorship of Hamlet. Yet, as far as the play goes, does it make any difference whether Shakespeare or Bacon wrote it? Would it make any difference to the actors if their parts happened out of nothingness, if they found themselves acting on the stage because of some gross and unpardonable accident? Would it make any difference if the playwright gave them the lines or whether they composed them themselves, so long as the lines were properly spoken? Would it make any difference to the characters if 'A Midsummer Night's Dream' was really a dream?
Rule One. You must know the difference between an asset and a liability, and buy assets. If you want to be rich, this is all you need to know. It is Rule No. 1. It is the only rule. This may sound absurdly simple, but most people have no idea how profound this rule is. Most people struggle financially because they do not know the difference between an asset and a liability.
I want you any way I can get you. Not because you’re beautiful or clever or kind or adorable, although devil knows you’re all those things. I want you because there’s no one else like you, and I don’t ever want to start a day without seeing you.
When we did that kind of stuff our only rule was... Well, we didn't have any rules, really, but my rule, because I was the drinker of the group, was not at any time of the day before the night we're working.
My revision methods are chipping things away and moving them around and trying to get things right. I'm also open in my own writing to failure. I want to fail. I want to go to a place where I don't know what I'm doing, where maybe I'm lost. And in that uncertain space, I make decisions, and I know all those decisions are going to change everything else. And at a certain point, you just come to a place of rest. In revising, you reduce your options so that nothing is possible, and you just think, I can't change this anymore because I've already passed that decision point.
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