A Quote by John Towner Williams

Any working composer or painter or sculptor will tell you that inspiration comes at the eighth hour of labour, rather than as a bolt out of the blue. We have to get our vanities and our preconceptions out of the way and do the work in the time allotted.
Any working composer or painter or sculptor will tell you that inspiration comes at the eighth hour of labour rather than as a bolt out of the blue. We have to get our vanities and our preconceptions out of the way and do the work in the time allotted.
If we're going to get this country out of its current energy situation, we can't just conserve our way out; we can't just drill our way out; we can't bomb our way out. We're going to do it the old-fashioned American way, we're going to invent our way out, working together.
If we're going to get this country out of its current energy situation, we can't just conserve our way out. We can't just drill our way out. We can't bomb our way out. We're going to do it the old-fashioned, American way. We're going to invent our way out, working together.
We get new ideas from God every hour of our day when we put our trust in Him -- but we have to follow that inspiration up with perspiration -- we have to work to prove our faith. Remember that the bee that hangs around the hive never gets any honey.
Inspiration is for amateurs. The rest of us just show up and get to work. If you wait around for the clouds to part and a bolt of lightning to strike you in the brain, you are not going to make an awful lot of work. All the best ideas come out of the process; they come out of the work itself.
If people don't want blue-collar work, our labour costs will remain high and our competitiveness low.
We spent too much time attacking Gordon Brown and Labour rather than setting out our own plans. People had decided they wanted change - the thing they were not sure about was the alternative we were offering, so going on and on about Labour missed the point.
Man has used human rhythmic movement as raw material out of which to create works of art, as the composer of music uses sound, the sculptor uses stone and wood, the painter his pigments, and the writer - words.
Give the composer time to experiment, time to try out ideas. Also, the time to fail. When the composer has very little time, the temptation is to reach for stock ideas - ideas they know will work and have worked in the past.
A person taking stock in middle age is like an artist or composer looking at an unfinished work; but whereas the composer and the painter can erase some of their past efforts, we cannot. We are stuck with what we have lived through. The trick is to finish it with a sense of design and a flourish rather than to patch up the holes or merely to add new patches to it.
I don't starve myself. Anyone who knows me will tell you I have an appetite. I'd much rather work out and not diet than not work out and have to diet.
How much is an hour of your time worth? It's worth whatever wage you would get if you spent that hour working. If you work for an hourly rate, this is an easy calculation. Even if you work for a salary and a fixed number of hours, the principle is the same: It's whatever your salary works out to per hour.
No person who is not a great sculptor or painter can be an architect. If he is not a sculptor or painter, he can only be a builder.
In order to spend out our time (life) we sell some of this time. We work for someone, we labour. In freedom we do slavery.
So that's how we live our lives. No matter how deep and fatal the loss, no matter how important the thing that's stolen from us--that's snatched right out of our hands--even if we are left completely changed, with only the outer layer of skin from before, we continue to play out our lives this way, in silence. We draw ever nearer to the end of our allotted span of time, bidding it farewell as it trails off behind. Repeating, often adroitly, the endless deeds of the everyday. Leaving behind a feeling of immeasurable emptiness.
Any composer who is gloriously conscious that he is a composer must believe that he receives his inspiration from a source higher than himself.
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