A Quote by John Travolta
Even if the script's well written there's something about the life of an improvisation that resonates better than a written word, sometimes.
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I use improvisation as a writing tool to help produce material that goes into a script, but a well-crafted script shouldn't sound scripted, and oftentimes people confuse something that looks like improvisation for what is actually a very well-written script that is well-acted.
Well, usually, when you're doing a sitcom, you get a script and every word or for the most part, is written. So, you know, if it's a 30-minute sitcom, then it's a 35-page script or something like that.
The written word is the only anchor we have in life. How extraordinary would it be if we had even three or four paragraphs written honestly about their lives by our ancestors?
Acting's incredibly enjoyable, but sometimes it doesn't feel quite enough. I've also written a script about the life of Eleanor of Aquitaine. This will make me sound like a female Kenneth Branagh, but I can't think of anything nicer than directing myself from a script I wrote.
You can always find ways to make it different, as long as it's a really well-written script and well-written character.
Before one is successful that is before any one is ready to pay money for anything you do then you are certain that every word you have written is an important word to have written and that any word you have written is as important as any other word and you keep everything you have written with great care.
If I feel like it's a well-written script and if it speaks to me, it's something I want to do. I usually rely on my instincts when it comes to a script.
When script is written well, then you start to make decisions of, "Well, do I want to be away from home for that long? Do I like the people involved?" When it's written well, a lot of those things go away and you can't not do it.
Sometimes it's not even a role that's specifically written for a woman. It could be a role written for a white man or Asian man, or Latino. If it's something that I feel I could do well, I go after it. Especially if it's nothing that has to be gender or race specific, I'm all over it.
The script of 'Hum Paanch' was extremely powerful, written by Imtiaz Patel. He has written the characters so well, people got hooked with each of them.
Applause is interesting, but I'm a monster with or without it. Something is either well written or it isn't. 'White Rabbit' is not well written, and no amount of applause or royalties can convince me it is. I could have done a better job with those lyrics. They didn't say what I wanted.
I never felt like a happy-go-lucky ingenue to begin with. And parts are written better when you're older. When you're young, you're written to be an ingenue, and you're written to be a quality. You're actually not written to be a person, you're written for your youth to inspire someone else, usually a man. So I find it just much more liberating.
The Bible is the written word of God, and because it is written it is confined and limited by the necessities of ink and paper and leather. The Voice of God, however, is alive and free as the sovereign God is free. 'The words that I speak unto you, they are spirit, and they are life.' The life is in the speaking words. God's word in the Bible can have power only because it corresponds to God's Word in the universe. It is the present Voice which makes the written word powerful. Otherwise it would lie locked in slumber within the covers of a book.
If I have experienced something in my life, it's probably going to be written about, and I don't particularly care if the person I'm writing about wants to be written about.
If something is well-written, it has a chance to be good and if it's not well-written, it will not be good. It could even become popular, but it won't be good.
If something is being written about a lot, there's a conversation there; there's a dialogue there. There's probably a reason for it that it resonates deeply in some way.
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