A Quote by John Travolta

You come to work knowing you're going to do good work without any doubt. You can go where you need to go and nothing is wrong and you pick the rightnesses out. If something doesn't work, you let them go, but you don't hold onto those wrongnesses. You just hold onto the rightnesses, so it's a playing field that anyone would want and feel much more comfortable with.
People have asked if I would go back to my 20s, and I'm like, "Only if I could hold onto the wisdom and the things that I've learned." But in reality, I don't think I'd want to even go back then. I'm so happy with where I'm at. My life is very content. Everything feels really good. I wouldn't want to change any of that. I'm happy for all the ups and the downs, and everything that has led me to where I am. I wouldn't want to lose any of that.
When I'm doing something I love, I can lose sleep. I can go and go and go and go. My work ethic is pretty intense. But when it comes to doing something that I don't love every day, I'm not very good at it. That's called work, and I don't like work that much.
What we need to do is raise the minimum wage. We also need to hold onto equal pay. Women work for 76 cents on the dollar for the same work that men do. That's not right in America.
I always say to every actor, and to people that want to get into this industry, to just try to be on set as much as you can, try to go to acting class, and try to work on your craft because there's nothing that can prepare you, like just when you get thrown onto a set and you've got to work.
Can't do any work with a rock star; you have to go through their lawyers and their agents and their managers and you have to book them hotel rooms. When you work with your friends, you just call them up and they come over and you record and then you go out to see a movie.
I want to be as though new-born, knowing nothing, absolutely nothing. Then I want to do something modest; to work out by myself a tiny, formal motive, one that my pencil will be able to hold without technique.
My tips for any budding actors would be to go out and see as much as you possibly can. Find the people you want to work with and be ready to hopefully make them want to work with you.
Dancers work and they work and they work, and they master their skills so far that improvisation just comes flowing out of them. Their natural expression of the best they can possibly be comes out of them because there is no boundary to hold them back... That's the mentality that I'm trying to create, recreate and hold on to forever.
Making movies is all about compromise, negotiation, and sacrifice, but the process helps you distill what's really important to you, and once you have identified what those these things are for any particular sequence, you hold onto them and don't let them go.
Sometimes I'm just like, 'I cannot hold onto this anymore,' and it's time to say something. And at the end of the day, I've just got to let it go and be true to myself. Whatever comes out comes out.
In my experience, professionals who are best in any field approach their work with humility. They know that their work is more than just a job. It's an exploration of life. Even on days when they feel most confident, things can go wrong. Sometimes even the good things that happen are a mystery - a surprise. There are always elements outside our control. That's humbling - or should be.
Our educational system just doesn't work as well as it should any more. 70% of people are never going to go to college, and we don't give them the vocational or occupational training they need before we throw them into a work force where too often they find they don't fit. The 30% that do go to college find themselves graduating with debts that may cripple them for years.
I feel more at home in London than in Los Angeles, definitely. If I could have my choice, I certainly would live in London as opposed to LA. I just prefer it here. But I love the work and in LA there's just so much more of it, and as an actor you kind of have to go where the work is. Luckily, I've been able to get the work out there. If work brings me back here, and a project is here and I can do it, I'll jump at the chance.
Let go of the thoughts, let go of the mind, let go of everything. Let go! Drop it! Drop everything. Hold onto nothing.
You should just go, go to work, work hard, be a perfectionist, be a workhorse. If you work 10 years straight, you'll be comfortable and set for life. That is a fact.
When I go out there onstage, I want to be more than just a blocky guy who waddles onto the posing platform. I want the girls to feel something.
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