A Quote by John Travolta

I try to balance independent films with commercial films, and I've done a pretty good job of it over the years. — © John Travolta
I try to balance independent films with commercial films, and I've done a pretty good job of it over the years.
In the beginning, it wasn't even a question of deciding I'm going to do independent film and not commercial films - I wasn't being offered any commercial films, and there wasn't an independent scene.
My forever mission is to take the best elements of both commercial and independent films and bring them together. I learned so much about the art of independent films and I have so much fun in commercial ones. I think that a mix of both is good.
Good female parts are hard to come by, so I go all over the place to find them: cable TV, network movies of the week, foreign films, independent American films, studio films, the stage.
Richard Donner made great movies. Seminal movies. The Academy, though, and we have to be careful here, should recognize popular films. Popular films are what make it all work. There was a time when popular movies were commercial movies, and they were good movies, and they had to be good movies. There was no segregation between good independent films and popular movies.
Making independent films is liberating. It eliminates self-censorship, which mainstream films are infected with due to commercial priorities.
I'm drawn to a lot of first-time directors. One of the great common denominators in these small independent films is that there's a person, or two people, who have an absolutely monomaniacal passion to get these films made. That's what makes them happen. Sometimes, it takes years and years to finally get it done, but by never backing down, by never giving up, they get these films to the screen by hook or by crook.
It's really a great luxury to have, to be able to go from big films to indie films, too. Because I'm on the job learning as an actor, and independent films is where I'm learning to act.
You've got these big studio films and these tiny independent films now. It's very much either/or. With the independent films, it's always a beautiful risk - it might never be seen. With the studio films, you're conforming to the formula of what's always been in place.
I don't watch my old films. It's over and done with. I'm proud of my films, but who watches their movies after 20 years?
I have a problem with the present definition of commercial films. To me, 'Ghare and Baire' is an absolute mainstream film. There are also many films I have worked in that have been called art films by many. But I consider commercial.
In a perfect world, I could be doing some bigger films and balance that with some independent films because they seem to be the most challenging and unique.
In a perfect world, I could be doing some bigger films and balance that with some independent films because they seem to be the most challenging and unique
Independent films, for the most part, to me, are not so independent. They often feel like people auditioning for a big commercial career. They often do not have independent spirit to them.
I want to do comedy films, serious films - I admire the actors who fly under the radar but get loads done, pop up in a lot of good films.
I've done a lot of Bengali films with heavyweights like Rituparna Ghosh, Buddhadeb Das Gupta and carved my niche with both commercial as well as art films.
I like independent films... European films. I do go and see popular films as well because my kids force me.
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