A Quote by John Trudell
When I left politics in the early Eighties and started writing and recording, my idea was that I could have an influence further down into other generations. That Natives could come into the culture through arts and music.
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Every day I watched how a bare metal frame, rolling down the line would come off the other end, a spanking brand new car. What a great idea! Maybe, I could do the same thing with my music. Create a place where a kid off the street could walk in one door, an unknown, go through a process, and come out another door, a star.
Fame put a lot of pressure on me in the Eighties and early Nineties - and I'm glad that I had the kind of makeup where I could come through it alive, keep myself in hand.
For two generations up through the mid-1980s, many thought we were losing the Cold War, even in early 1989, few believed that Poland`s solidarity movement could win, that the Iron Curtain would come down, that the Baltic states could be free, that the second of the 20th century`s great evils, communism, could be vanquished without war, but it happened and the West`s great institutions, NATO and the E.U., grew to embrace 100 million liberated Europeans.
As far as the writing goes, I started telling stories as soon as I could talk, and started writing them down as soon as I could string words together.
A great script might come my way, and I could be in the middle of music. So, it's a huge choice that I have to make - if I'm going to go do a movie or if I'm going to turn it down - because it could be an opportunity that could send my career through the roof, and you never know.
I think I just liked the idea that I could make something, that I could communicate some sort of idea through music.
I started to invest in very-early-stage companies where, even though I wasn't the founder, I could help shape the early strategy and culture.
The politics of language and the politics of writing really got to me. I've heard this phrase more than once now: this idea of the poetry wars, or the idea that people within the space of writing are at odds with one another or manipulating language to further one's political stance, manipulating language in ways that really felt dirty to me. All of these things worked their way into and through language for me.
I could start with Mandelstam, who was a huge influence on my early writing.
A weird theory I have is we come from a suppressed culture. Ireland is one of the most invaded countries ever. I think the British started it very early, it could be like 800 that decided to come and show us out; and the Danes in the north. We've had a tough time and pretty much a similar culture would be the Jewish culture; they had a pretty hard time. They were being kicked around for a long, long time.
Billionaires who want to influence politics could get better 'returns on investment' than from early stage Amazon.
No other creative field is as closed to those who are not white and male as is the visual arts. After I decided to be an artist, the first thing that I had to believe was that I, a black woman, could penetrate the art scene, and that, further, I could do so without sacrificing one iota of my blackness or my femaleness or my humanity.
The liberal arts are the arts of communication and thinking. 'They are the arts indispensable to further learning, for they are the arts of reading, writing, speaking, listening, figuring.
The dance is the most universal of the arts, since, as Goethe justly said, it could destroy all the fine arts. It is an expression of all the emotions of the spirit, from the lowest to the highest. It accompanies and stimulates all the processes of life, from hunting and farming to war and fertility, from love to death. It enables, in turn other arts to come into being: music, song, drama. Despite all their riches, the dance is no formless complex, but a simple unity.
From early on, when synthesizers were first introduced into music, I liked the idea that you could get a big sound with them - electronic, but like an orchestra. And I could play it all myself. That was exciting.
From early on, when synthesizers were first introduced into music, I liked the idea that you could get a big sound with them, electronic, but like an orchestra. And I could play it all myself. That was exciting.
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