A Quote by John Updike
Hemingway describes literary New York as a bottle full of tapeworms trying to feed on each other.
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Let's help each other. New York, because New York is first. And then after New York, and after the curve breaks in New York, let's all rush to whoever's second. And then let's all rush to whoever's third. And let's learn from each other and help each other.
There are roughly three New Yorks. There is, first, the New York of the man or woman who was born here, who takes the city for granted and accepts its size and its turbulence as natural and inevitable. Second, there is the New York of the commuter — the city that is devoured by locusts each day and spat out each night. Third, there is the New York of the person who was born somewhere else and came to New York in quest of something.
Ernest Hemingway was always uneasy in New York and liked being there less than in any other city he frequented.
My thing with New York was that it felt so insular. When I went to L.A., everybody I knew was a cool, amazing musician. In New York, they'd be hunkered down trying to form a band. But in L.A., guys in bands were also playing with other artists, touring with other artists, and collaborating with other artists.
No city owns me, you know what I'm saying? I'm from New York, but no city owns me. Nobody can bottle up my sound and box me in. Yes, I am a rapper, but am I a New York rapper? No. I am from New York, I love New York to death, but I will not conform myself to one place, no.
I hate to see the way journalism is devalued: We have to feed the machine; we have to feed the Trump outrage machine, to feed the anger against Trump, to feed the New York liberal anger.
I've had the struggling actor experience. At one point in New York, I was holding four jobs, including bottle service girl, while I was trying to break into acting.
...their eyes are full of kindness as each feels the full effect of novelty after a short separation. They are drawing a relaxation from each other's presence, a new serenity.
To write a story about New York that only deals with people in your age and socioeconomic bracket, that feels dishonest to me. So much of New York comes from everyone bumping into each other.
The bottle is where everything sad or mean or confusing can go. And the blues--it's like that bottle. But in the bottle there's a seed that you let grow. Even in the bottle it can grow big and green. It's full of all those feelings that are in there, but beautiful and growing too.
I don't think I found my voice until I reached New York. I suppose it's possible I would have had some kind of different literary career if I had not discovered New York.
The Department of Homeland Security recommends a three-day supply of water consisting of one bottle per day for each person in your home. Plus one extra bottle to give you all something to kill each other over on day four.
A lot of writers choose to live in New York, partly because of the literary culture here, and partly because Brooklyn's a pretty nice place to live. And a lot of writers who might not geographically reside in New York still point their ambitions towards New York in some sense.
I love the sound of a brand-new bottle of coke when you pry the lid off and it starts to fizz. Whenever I hear that sound, I think of roses, and of sitting together with someone you care about and of Romeo and Juliet waking up somewhere and saying to each other, weren't we jerks? And then having all that be over. That's what I think of when I hear the sound of a brand-new bottle of Coke being opened
If you call it a romance, it will never be reviewed by the 'New York Times' or any other respectable literary venue. And that's okay. I can live with that.
These pigeons have been living with each other for 10 or 15 years, but when I throw feed down, they kill each other to get it, and it's the same with the fighters. We love and respect each other...but we need that money.
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