A Quote by John Updike

A writer's self-consciousness, for which he is much scorned, is really a mode of interestedness, that inevitably turns outward. — © John Updike
A writer's self-consciousness, for which he is much scorned, is really a mode of interestedness, that inevitably turns outward.
What the artist is always looking for is the mode of existence in which soul and body are one and indivisible: in which the outward is expressive of the inward: in which form reveals.
The term "self" seems a suitable one for the unconscious substrate whose actual exponent in consciousness is the ego. The ego stands to the self as the moved to the mover, or as object to subject, because the determining factors that radiate outward from the self surround the ego on all sides and are therefore supraordinate to it. The self, like the unconscious, as an a priori existent out of which the ego evolves. It is, so to speak, an unconscious prefiguration of the ego. It is not I who create myself; rather, I happen to myself.
After death the soul possesses self-consciousness, otherwise, it would be the subject of spiritual death, which has already been disproved. With this self-consciousness necessarily remains personality and the consciousness of personal identity.
The one aim of [my] yoga is an inner self-development by which each one who follows it can in time discover the One Self in all and evolve a higher consciousness than the mental, a spiritual and supramental consciousness which will transform and divinize human nature.
What I believe is that people have many modes in which they can be. When we live in cities, the one we are in most of the time is the alert mode. The 'take control of things' mode, the 'be careful, watch out' mode, the 'speed' mode - the 'Red Bull' mode, actually. There's nothing wrong with it. It's all part of what we are.
For what we don't realize today is just what the typical self of every previous stage failed likewise to comprehend: this is not the highest and greatest mode of consciousness which can be attained - there lie ahead the realms of the superconscious and the pitiful ego, by comparison, is as a speck of nothingness.
Like Hemingway and Faulkner, but in an entirely different mode, Fitzgerald had that singular quality without which a writer is not really a writer at all, and that is a voice, a distinct and identifiable voice. This is really not the same thing as a style; a style can be emulated, a voice cannot, and the witty, rueful, elegaic voice gives his work its bright authenticity.
No one can teach writing, but classes may stimulate the urge to write. If you are born a writer, you will inevitably and helplessly write. A born writer has self-knowledge. Read, read, read. And if you are a fiction writer, don't confine yourself to reading fiction. Every writer is first a wide reader.
No one can teach writing, but classes may stimulate the urge to write. If you are born a writer, you will inevitably and helplessly write. A born writer has self-knowledge. Read, read, read. And if you are a fiction writer, dont confine yourself to reading fiction. Every writer is first a wide reader.
Happiness is a matter of one's most ordinary and everyday mode of consciousness being busy and lively and unconcerned with self.
Happiness is a matter of one's most ordinary everyday mode of consciousness being busy and lively and unconcerned with self.
That which of all things unfits man for the reception of Christ as a Savior, is not gross profligacy and outward, vehement transgression, but it is self-complacency, fatal self-righteousness and self-sufficiency.
They wanted genuine intimacy, but they could not get even normally near to anyone, because they scorned to take the first steps, they scorned the triviality which forms common human intercourse.
A journal of the 'subjective' kind I have always thought foolish, as nurturing a morbid self -consciousness in the writer; and yet, alone so much as I am, it is well to have some sort of a ventilator from the interior.
When you're a writer and something difficult happens to you, one of the things involved in that is this emergence of narrative potential. And there's then a kind of self-consciousness about telling a story in which you suffered.
When one crosses over from an activity, or the verb, of writing or doing, and becomes a noun, like "a writer" I think that is an act of supreme self-consciousness that I've never, in effect, made. I write, but I don't like to think of myself as a writer. I think it's somewhat self-aggrandizing and pretentious. Now, I am a teacher.
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