A Quote by John Updike

Fenway Park, in Boston, is a lyric little bandbox of a ballpark. Everything is painted green and seems in curiously sharp focus, like the inside of an old-fashioned peeping-type Easter egg.
Everything with me is normal except when I pitch (in Fenway Park). When I pitch here it's a little different. There is a little more anxiety to go along with the nostalgia because this is the park I grew up with as a kid. This is the park I dreamed of playing Major League Baseball in and no other ballpark has that feeling for me. There are a lot more family and friends here than in my normal starts and I want to pitch well here.
When you think about Boston, Harvard and M.I.T. are the brains of the city, and its soul might be Faneuil Hall or the State House or the Old Church. But I think the pulsing, pounding heart of Boston is Fenway Park.
There's not a ballpark I've ever played in as a visitor or home that has the historic feel and energy that Fenway Park has.
The actual fund is called "THE JIMMY FUND" and THE REDSOX FOUNDATION IN BOSTON has gotten involved and people all over New England are very supportive of this effort. The Jimmy Fund is an official charity of the Boston Red Sox and my song "Down at Fenway Park" is often played at Fenway and if you buy the C.D. a portion of the proceeds go to the Jimmy Fund via the Red Sox Foundation.
The refurbishing and rebuilding of Fenway Park since 2001 has created a new urban neighborhood in Boston.
You never create a scene around the Easter egg. The Easter egg is always just, 'Oh, there's an opportunity for something that the fans will enjoy if they can spot it.'
I'm helplessly and permanently a Red Sox fan. It was like first love...You never forget. It's special. It's the first time I saw a ballpark. I'd thought nothing would ever replace cricket. Wow! Fenway Park at 7 o'clock in the evening. Oh, just, magic beyond magic: never got over that
The ballpark is the star. In the age of Tris Speaker and Babe Ruth, the era of Jimmie Foxx and Ted Williams, through the empty-seats epoch of Don Buddin and Willie Tasby and unto the decades of Carl Yastrzemski and Jim Rice, the ballpark is the star. A crazy-quilt violation of city planning principles, an irregular pile of architecture, a menace to marketing consultants, Fenway Park works. It works as a symbol of New England's pride, as a repository of evergreen hopes, as a tabernacle of lost innocence. It works as a place to watch baseball.
I came up the old-fashioned way - tea boy, cutter, focus-puller, cinematographer - but I wasn't myself old-fashioned.
For me, there is a strong family connection to Boston and anything connected to Boston, which includes Fenway.
I'll protect myself by making up all this crazy stuff. It'll be like a little shell. Like an Easter egg shell that's all decorated.
The movies that are honored at The Oscars are always a certain type: Old-fashioned. It's a bunch of well-made, old-fashioned movies that support our idea of ourselves. They uplift the human spirit. That's why horror films never even get nominated.
Books seem a little old-fashioned, but hey, I can do old-fashioned if it's good.
I love Boston. I love Fenway Park. I love Red Sox history. But in no way am I a Red Sox fan.
The allegations of me being a pedophile are spurious, at best. However I will admit that taking my knickers off in the park and having an Easter Egg hunt with those apple-cheeked four year olds was in my best interest and not theirs
It seemed clear to me early on that one of the things a photograph could do was make a reality, and I wanted to do that. I always think of looking inside an Easter egg and seeing a perfect world.
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