A Quote by John Updike

Musicians are very mysterious and wonderful people to me; I don't know how they do it. — © John Updike
Musicians are very mysterious and wonderful people to me; I don't know how they do it.
People who don't read seem to me mysterious. I don't know how they think or learn about other people. Novels are a very important part of our education.
I know a lot of actors who started out as musicians and have very successful careers as actors, but most people don't know them as musicians.
Love is a big thing - it's part of who you become, how you grow up. I had a wonderful husband, and I'm very lucky I have a second wonderful husband. You know, some people don't even score the first time.
It was my life — like all lives, mysterious and irrevocable and sacred. So very close, so very present, so very belonging to me. How wild it was, to let it be.
I was afraid the other musicians might want to present themselves too much, though I see in the coverage I've received of the album that the musicians got wonderful reviews for their contributions and abilities. I think the four musicians played freely within my limits.
I can't do too much musical movement with a lot of MC's, because they don't know how to follow me. But with Souls of Mischief, I could go anywhere because they are musicians - they rap as musicians, and they play instruments and produce, so they get that.
If North American musicians would only know how uncomfortable life is for European musicians.
It's no use telling us that something was 'mysterious' or 'loathsome' or 'awe-inspiring' or 'voluptuous.' By direct description, by metaphor and simile, by secretly evoking powerful associations, by offering the right stimuli to our nerves (in the right degree and the right order), and by the very beat and vowel-melody and length and brevity of your sentences, you must bring it about that we, we readers, not you, exclaim, 'how mysterious!' or 'loathsome' or whatever it is. Let me taste for myself, and you'll have no need to tell me how I should react.
A lot of people say I am very mysterious. It takes a lot to know me.
There are a few musicians that I know who seem on the outside like very asocial or somewhat unemotional people, people who aren't capable of emotions, and people think they're very cold inside.
The thing I find really scary about ghosts and demons is that you don't really know what they are or where they are. They're not very well understood. You don't know what they want from you. So it's the kind of thing you don't even know how to defend yourself against. Anything that's unknown and mysterious is very scary.
I've always had really wonderful people around me. But early on, I remember I would walk into a session or go do something with some musicians, and they viewed me, basically, as their chick singer.
I think anybody that's worked hard and has built something and has been successful can testify to how, you know, how wonderful that was, how wonderful it still is.
I think Baltimore is a wonderful artistic community with a lot of great musicians. It's kind of like a little secret for musicians.
The musicians that didn't know music could play the best blues. I know that I don't want no musicians who know all about music playin' for me.
China was not at all what I expected it to be. I had an image of China as a very quaint and mysterious and peaceful place. Well, it's quaint and mysterious in some respects, but not in the ways I had thought. The people are mysterious. They don't often tell you what they feel.
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