A Quote by John Updike

Celebrity is a mask that eats into the face. — © John Updike
Celebrity is a mask that eats into the face.
Celebrity is a mask that eats into the face. As soon as one is aware of being somebody, to be watched and listened to with extra interest, input ceases, and the performer goes blind and deaf in his over-animation. One can either see or be seen.
Because the mask is your face, the face is a mask, so I'm thinking of the face as a mask because of the way I see faces is coming from an African vision of the mask which is the thing that we carry around with us, it is our presentation, it's our front, it's our face.
It was a dance of masks and every mask was perfect because every mask was a real face and every face was a real mask so there was no mask and there was no face for there was but one dance in which there was but one mask but one true face which was the same and which was a thing without a name which changed and changed into itself over and over.
If I'm not working and getting my makeup done, that's my chance to do a hair mask and a face mask and my plucking and waxing and all of that.
The face of totalitarianism turned out to be a mask - obviously - but the face of Capitalism has no face at all.
Life is but a mask worn on the face of death. And is death, then, but another mask? 'How many can say,' asks the Aztec poet, 'that there is, or is not, a truth beyond?'
Then she did see it there - just a face, peering through the curtains, hanging in midair like a mask. A head-scarf concealed the hair and the glassy eyes stared inhumanly, but it wasn’t a mask, it couldn’t be. The skin had been powdered dead-white and two hectic spots of rouge centered on the cheekbones. It wasn’t a mask. It was the face of a crazy old woman. Mary started to scream, and then the curtains parted further and a hand appeared, holding a butcher’s knife. It was the knife that, a moment later, cut off her scream. And her head.
What does the money machine eat? It eats youth, spontaneity, life, beauty, and, above all, it eats creativity. It eats quality and sh*ts quantity.
I'm like the female version of George Clooney in 'Up in the Air.' I have to have an eye mask, and Amore Pacific has this cream face mask that's moisturizing. Moisture is so important in the stuffy, dry air on a plane.
Poverty is a veil that obscures the face of greatness. An appeal is a mask covering the face of tribulation.
I only put soap on my face once a day, in the evening, and I'll add in a face mask or exfoliating product ever so often.
A person never knows their own true face. Everybody thinks that the phoney, posed social mask they wear is their real face.
I wash my face, steam it, and put on a mask right after because the steam opens up your pores. I put the mask on for ten minutes, wash it off, and then melt an ice cube all over my face because that tightens your pores. Then if it's nighttime, I do a night cream or serum or an oil, something to keep your skin moisturized.
Not longer loved or fostered by religion, beauty is lifted from its face as a mask, and its absence exposes features on that face which threaten to become incomprehensible to man.
The Manuka honey face mask is another favorite of mine that I actually do. I know there are these people that recommend crazy masks, and I'm like, 'There is no way you're putting that on your face!' But I do put Manuka honey on my face. I take a teaspoon and warm it up.
I'm happy that now we reveal something about the true Israel, because, you know, now it's Purim, when all the Jews putting mask. And once, we used to have a liberal mask. The most famous mask now in Israel is the mask of a soldier who murdered in cold blood a wounded prisoner of war. Those are the mask that most of the Israeli kids now are using. So, now, when the mask and the true is the same, maybe it's time for Democrats here to stop supporting Israel, if they care about Jews.
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