A Quote by John Updike

But for a few phrases from his letters and an odd line or two of his verse, the poet walks gagged through his own biography. — © John Updike
But for a few phrases from his letters and an odd line or two of his verse, the poet walks gagged through his own biography.
To the poet, his travels, his adventures, his loves, his indignations are finally resolved in verse, and this, in the end becomes his permanent, indestructible life.
Everyone his own cinematographer. His own stream-of-consciousness e-mail poet. His own nightclub DJ. His own political columnist. His own biographer of his top-10 friends!
It seems to me a purely lyric poet gives himself, right down to his sex, to his mood, utterly and abandonedly, whirls himself roundtill he spontaneously combusts into verse. He has nothing that goes on, no passion, only a few intense moods, separate like odd stars, and when each has burned away, he must die.
A child in his earliest years, when he is only two or a little more, is capable of tremendous achievements simply through his unconscious power of absorption, though he is himself still immobile. After the age of three he is able to acquire a great number of concepts through his own efforts in exploring his surroundings. In this period he lays hold of things through his own activity and assimilates them into his mind.
If you read the biography of any great man, you will always notice two things: His mother's contribution in his progress and his teacher's contribution in his growth and development.
And my father left me a legacy of his handwriting through letters and a notebook. In the last two years of his life, when he was sick, he filled a notebook with his thoughts about me… There are times when I want to trade all those years that I was too busy to sit with my dad and chat with him, and trade all those years for one hug. But too late. But that's when I take out his letters and I read them, and the paper that touched his hand is in mine, and I feel connected to him.
Everyone in their life has his own particular way of expressing life's purpose - the lawyer his eloquence, the painter his palette, and the man of letters his pen from which the quick words of his story flow. I have my bicycle.
My father is my biggest literary influence. Recently, I've been looking through his letters. He was in the National Guard when I was a child, and whenever he left, he would write to me. He wrote letters to me all through college, and we still correspond. His letters, and my mother's, are one of my life's treasures.
Samuel Beckett is the person that I read the most of - certainly the person whose books I own the most of. Probably 800 or 900, maybe 1,000 books of just Samuel Beckett. By him, about him, in different languages, etc. etc. Notebooks of his, letters of his that I own, personal letters - not to me, but I bought a bunch of correspondence of his. I love his humor, and I'm always blown away by his syntax and his ideas. So I keep reading those.
His progress through life was hampered by his tremendous sense of his own ignorance, a disability which affects all too few.
A poet or philosopher should have no fault to find with his age if it only permits him to do his work undisturbed in his own corner; nor with his fate if the corner granted him allows of his following his vocation without having to think about other people.
And whoever walks a furlong without sympathy walks to his own funeral drest in his shroud.
We could think or feel as we wished toward the characters, or as the poet, discounting history, invited us to; we were the poet's guest, his world was his own kingdom, reached, as one of the poems told us, through the 'Ring of Words.
One trophy is good, but two are better. That way, when a hero wears his medals on his chest, at least his steps are level as he walks by.
As he walks away on his own two feet--the toddler's body-mind has reached its moment of perfection. The world is his and he the mighty conqueror of all he beholds.... As long as mother sticks around in the wings, the mighty acrobat confidently performs his trick of twirling in circles, walking on tiptoe, jumping, climbing, staring, naming. He is joyous, filled with his grandeur and wondrous omnipotence.
The poet who writes "free" verse is like Robinson Crusoe on his desert island: he must do all his cooking, laundry and darning for himself. In a few exceptional cases, this manly independence produces something original and impressive, but more often the result is squalor - dirty sheets on the unmade bed and empty bottles on the unswept floor.
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