A Quote by John Updike
There's a crystallization that goes on in a poem which the young man can bring off, but which the middle-aged man can't.
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The young man taught all he knew and more; The middle-aged man taught all he knew; The old man taught all that his students could understand.
There's a young man hid with me, in comparison with which young man I am a Angel. That young man hears the words I speak. That young man has a secret way pecooliar to himself, of getting at a boy, and at his heart, and at his liver.
There is a thing called knowledge of the world, which people do not have until they are middle-aged. It is something which cannot be taught to younger people, because it is not logical and does not obey laws which are constant. It has no rules. Only, in the long years which bring women to the middle of life, a sense of balance develops...when she is beginning to hate her used body, she suddenly finds that she can do it. She can go on living.
It is the fear of middle-age in the young, of old-age in the middle-aged, which is the prime cause of infidelity, that infallible rejuvenator.
There are two barriers that often prevent communication between the young and their elders. The first is middle-aged forgetfulness of the fact that they themselves are no longer young. The second is youthful ignorance of the fact that the middle aged are still alive.
A child-like man is not a man whose development has been arrested; on the contrary, he is a man who has given himself a chance of continuing to develop long after most adults have muffled themselves in the cocoon of middle-aged habit and convention.
That young man with the long, auburn hair and the impudent face - that young man was not really a poet; but surely he was a poem.
A sceptical young man one day conversing with the celebrated Dr. Parr, observed that he would believe nothing which he could not understand. "Then, young man, your creed will be the shortest of any man's I know."
I am not and will never again be a young writer, a young homeowner, a young teacher. I was never a young wife. The only thing I could do now for which my youth would be a truly notable feature would be to die. If I died now, I'd die young. Everything else, I'm doing middle-aged.
Youth is the period in which a man can be hopeless. The end of every episode is the end of the world. But the power of hoping through everything, the knowledge that the soul survives its adventures, that great inspiration comes to the middle-aged.
The only way in which one can make endurable man's inhumanity to man, and man's destruction of his own environment, is to exemplify in your own lives man's humanity to man and man's reverence for the place in which he lives.
In most superhero shows, the superhero is pretty young. He's in his 20s; he's single. 'Black Lightning' is a man who's middle-aged, going through a divorce, and has two daughters.
The world is an illusion. Why is it unreal? Because none of the knowledge is going to remain permanent, as real knowledge. I had a number of identities; I was a child, I was a boy, I was a teenager, I was a middle-aged man, I was an old man. Like other identities I thought would remain constant, they never remained so. Finally, I became very old. . . So which identity remained honest with me?
I woke up one morning and realised that one of the problems with being a middle-aged man - of being a man in general - is the tyranny of fashion.
Someone told me once that blues is like whiskey. They keep whiskey in the barrel for so many years, and then they talk about how well it's aged. But I don't think that goes for him. I think this young man has just stepped in there sayin', 'I'm gonna prove you all wrong.' I think he's like a watermelon, man. He's ripe.
You can be very successful but still struggling financially, and it looked like I'd have to take a year or two off and find whatever menial labouring work you can get as a middle-aged, unskilled bald man.
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