A Quote by John Updike
In leaving New York in 1957, I did leave without regret the literary demimonde of agents and would-be's and with-it nonparticipants; this world seemed unnutritious and interfering.
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If I regret leaving City, I'd regret leaving Madrid, I would regret Arsenal, and I would regret maybe even Metz, where I started off. So I have no regrets in life; life is too short to start regretting things.
And it does no harm to repeat, as often as you can, 'Without me the literary industry would not exist: the publishers, the agents, the sub-agents, the sub-sub-agents, the accountants, the libel lawyers, the departments of literature, the professors, the theses, the books of criticism, the reviewers, the book pages- all this vast and proliferating edifice is because of this small, patronized, put-down and underpaid person.'
The provincial intellectual is doomed to arguing at low level... there is still no Australian literary world, not in Sydney, Melbourne, Adelaide. It is some consolation to realise that there is no literary world in Birmingham or Los Angeles either. I have heard there is one in Montreal, but I don't believe it. The literary world is in London and New York, the only cities big enough to sustain magazines which can afford to reject copy.
New York was a new and strange world. Vast, impersonal, merciless.... Always before I had felt like a person, an individual, hopeful that I could mold my life according to some desire of my own. But here in New York I was ignorant, insignificant, unimportant--one in millions whose destiny concerned no one. New York did not even know of my existence. Nor did it care.
What was needed was a literary theory which, while preserving the formalist bent of New Criticism, its dogged attention to literature as aesthetic object rather than social practice, would make something a good deal more systematic and 'scientific' out of all this. The answer arrived in 1957, in the shape of the Canadian Northrop Fryes mighty 'totalization' of all literary genres, Anatomy of Criticism .
I don't think I found my voice until I reached New York. I suppose it's possible I would have had some kind of different literary career if I had not discovered New York.
It's hard to leave New York: this is where my friends are, my parents are. It is so vital. The whole world seems to look to New York.
My only regret with Timothy McVeigh is he did not go to the 'New York Times' Building.
My only regret with Timothy McVeigh is he did not go to the New York Times Building.
I always regret leaving home if I don't get at least four or five surfs in the week before I leave. I try to be in the water as much as possible before leaving, and it's the one thing I miss massively.
When I saw the pictures of New York without the World Trade Center, New York looked like a shadow of itself.
I don't want to leave New York and leave my family. I don't like the distance. I just did a movie in California and it's kind of excruciating to be away from them so I think there is that sense.
I have friends in New York that won't leave New York, and they're really talented people, but they'd rather take an acting class in New York than do a play in Florida or Boston. That's just weird to me, but they get into that I've-got-to-be-in-the-center-of-the-universe mentality. I'm not that way.
By the time I was 14, my most burning ambition was to leave my home, leave my neighborhood, leave my city. I kept it a secret wish. It was easier done than said. It wasn't only that I wanted to leave Chicago - I wanted to live in New York City. And I did - for a time.
The thing about New York is you can leave your house without a plan and find the day. You can't do that in Los Angeles. You need to get in your car, all this, you can't just drive around like a lunatic. In New York, you can literally walk outside, and wind up anywhere.
Start spreading the news, I am leaving today.
I want to be a part of it, New York, New York.
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