A Quote by John Updike
Thinking it over, I can't locate another artist in the Updike family.
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An old essay by John Updike begins, 'We live in an era of gratuitous inventions and negative improvements.' That language is general and abstract, near the top of the ladder. It provokes our thinking, but what concrete evidence leads Updike to his conclusion ? The answer is in his second sentence : 'Consider the beer can.' To be even more specific, Updike was complaining that the invention of the pop-top ruined the aesthetic experience of drinking beer. 'Pop-top' and 'beer' are at the bottom of the ladder, 'aesthetic experience' at the top.
Sad to think that we won't have any new stories from John Updike, one of the last century's masters. But so many here in the two volumes of his collected stories, 186 by my count, stories to read, reread, savor over the course of a cold season. Updike's genius in the short form spills out of these many, many pages.
What interested me most about the Kennedys was the family situation. Somehow, they had created this family that lasted over time, they had a sense of connection to one another. Especially now, when people are spread all over the country and they don't see grandparents and parents, this family bonded together.
I would hate to see the state of Wisconsin make another mistake and locate another casino in a high-density population area
At one point, when I was 20 and living in Kentucky, I got shot - it was a land dispute over six inches of property that ran a hundred yards through my grandfather's land. It was really over the honor of my family and that of another family.
I'm always thinking, 'my career is over, I have to move back to Omaha, and work on the railroad, with the rest of my family. So no, I'm never thinking I've 'arrived.' I think that's a good way to be.
Every hour that goes by with family separation policies in effect is another hour that mothers weep thinking of their children, another hour that kids are fearfully wondering where their parents have been taken, another hour that trauma deepens.
I'm kind of loath to pick one project over another or whatever. You go into every film sort of thinking it'll be your best work, and that's necessary. I think in this business, you really have to be forward-looking the whole time. I think nostalgia is sort of the death knell for any artist.
I kissed John Updike as he presented me with an award. It wasn't the best kiss as far as kisses go, but I hold the fact that I kissed John Updike, that he kissed me, very close to my heart.
When I taught art, I was always asked, 'How do you know you're an artist? What makes you an artist?' And to me, it's like breathing. You don't question if you breathe; you have to breathe. So if you wake up in the morning, and you have to realize an idea, and there's another idea, and another, maybe you are really an artist.
When you locate good in yourself, approve of it with determination. When you locate evil in yourself, despise it as something detestable.
The artist never really has any control over the impact of his work. If he starts thinking about the impact of his work, then he becomes a lesser artist.
John Updike is always fun. And one of my former students, Tom Pynchon. And Harold Bloom, another former student.
I believe a family can be like that sports team. A successful family wins as a team. But if its members are intent upon winning their own individual battles with one another, the team loses. A winning solution is to work out the differences and, when it's over, let it be over. Then they can get back in the game as a team.
It had never occurred to me before that music and thinking are so much alike. In fact you could say music is another way of thinking, or maybe thinking is another kind of music.
If you want to be an artist, you have to know that art is an ongoing practice, that you're part of a long line. Take this test: if someone offered you a billion dollars, but you could never draw another illustration or write another word, would you take it? If you reject it, you need to find another way to pay the bills, but you're still an artist.
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