A Quote by John Updike

I don't write about too many male businessmen, and I'm not apt to write about too many female businessmen. — © John Updike
I don't write about too many male businessmen, and I'm not apt to write about too many female businessmen.
I hate that rule that says write about what you know, it leads to too many British novels about marriages going slightly wrong. Write about what you don't know, just act as though you do.
Any negative review you write, they'll say, "Oh, you're being so mean." I think the problem with a lot of criticism is that too many critics either write just description or they write in a Mandarin jargon that only a handful of people can understand, or they write happy criticis - everything is good that they write about. I think that's really not good. I think it's damaged a lot of our critical voices.
we live in a world of excess: too many kinds of coffee, too many magazines, too many types of bread, too many digital recordings of Beethoven's Ninth, too many choices of rearview mirrors on the latest Renault. Sometimes you say to yourself: It's too much, it's all too much.
I wanted to write about women and their work, and about valuing the work we, as women, choose to do. Too many women I knew disparaged their work. Many working mothers thought they ought to be home with their children instead, so they carried around too much guilt to enjoy much job satisfaction.
I have spent a good many years since?too many, I think?being ashamed about what I write. I think I was forty before I realized that almost every writer of fiction or poetry who has ever published a line has been accused by someone of wasting his or her God-given talent. If you write (or paint or dance or sculpt or sing, I suppose), someone will try to make you feel lousy about it, that's all.
In my view, the plangent artificiality of a lot of creative work results from the fact that the people who write novels, direct films and put on plays tend to read too many novels, watch too many films and go to too many plays.
In my view the plangent artificiality of a lot of creative work results from the fact that the people who write novels, direct films and put on plays tend to read too many novels, watch too many films and go to too many plays.
I've been asked to do small parts in films, but you know, what I've learned in the 12 Steps of Recovery is that for me, being a public person, is not a very healthy thing. There's too many drugs, too many jets, too many girls, too many parties. It's just not my lifestyle. I'm 58 years old. A good round of golf is about as exciting as my life gets.
When I feel I'm repeating myself, I'll probably pack it in. What will undoubtedly happen is I'll write one too many. The important thing is to recognize when you've written too many and stop there.
'Ageism,' or whatever you want to call it, is a very English phenomenon. You don't get it too much in many other cultures. And no one says it about authors or poets or filmmakers. 'Oh, they're too old to make films or write books.'
I've met many, many writers who say they would never write about their family, never write about people they did not totally make up. But that is not the composition of my character.
When you aren't doing too many films, people find other things to write about you.
Political poetry is the hardest thing to write because you cannot preach to the converted, and if you're only seeking to convert, then write an editorial. I hope I can write about Trump; he's too major a force not to be written about.
I think the songs I was writing after Aeroplane were full of a lot of undealt-with pain that was just a little too big... the issues seemed too large for me to confront intuitively through songwriting. I kept pushing it and pushing it. There are so many issues about being human and why people inflict pain on each other. There were seeds of all these things I hadn't dealt with. With just the personal issues, I felt I was in over my head, but then to write about it... To write you have to have at least a little bit of confidence you know what you're talking about.
We saw too much beauty to be cynical, felt too much joy to be dismissive, climbed too many mountains to be quitters, kissed too many girls to be deceivers, saw too many sunrises not to be believers, broke too many strings to be pro's and gave too much love to be concerned where it goes.
"Ageism" or whatever you want to call it, is a very English phenomenon. You don't get it too much in many other cultures. And no one says it about authors or poets or filmmakers. "Oh, they're too old to make films or write books." You know what I mean?
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