A Quote by John Van Hamersveld
In teaching color, you teach people how to look something and see the tone in it and break it down to be able to paint it and reproduce that color. But then, I'm psychedelic, so I look at color differently. I like colors that are in contrast with one another, so that they flicker back and forth.
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Everybody's going to do the 3D slightly differently the same way that people are going to deal with color differently. Some movies downplay the color, some color is very vibrant. Color design is very different. We've got to think of 3D like color or like sound, as just part of the creative palette that we paint with and not some whole new thing that completely redefines the medium.
My songwriting process is based on a formula: Color, tone, words. When I hear production, I initially identify the color that resonates with me. From there, I am able to translate the color into tone or emotion, which may depend on a number of things.
The university should color itself black and color itself mulatto — not just as regards students but also professors. Today the people stand at the door of the university, and it is the university that must be flexible. It must color itself black, mulatto, worker, peasant, or else be left without doors. And then the people will tear it apart and paint it with the colors they see fit.
In the work of Seurat, you can see the dots of neutral colors carrying the form and then the dots of more intense color that make the color texture. It is a totally different principle that than of the Impressionists who used broken color to imitate visual effect.
We've got to learn how to not look at creed or color. Look at how beautiful a bouquet of roses looks like - different color roses, all look beautiful. We have to learn how to let our beauty of the color of our roses shine to the world.
Munch writes poetry with color. He has taught himself to see the full potential of color in art His use of color is above all lyrical. He feels color and he reveals his feelings through colors; he does not see them in isolation. He does not just see yellow, red and blue and violet; he sees sorrow and screaming and melancholy and decay.
For many years, I have been moved by the blue at the far edge of what can be seen, that color of horizons, of remote mountain ranges, of anything far away. The color of that distance is the color of an emotion, the color of solitude and of desire, the color of there seen from here, the color of where you are not. And the color of where you can never go.
It trips me out when I hear people say, 'Well, I don't see color.' You see color. Now, how you respond and how you handle the situation once you've seen and noticed color is different.
I like black for clothes, small items, and jewelry. It's a color that can't be violated by any other colors. A color that simply keeps being itself. A color that sinks more somberly than any other color, yet asserts itself more than all other colors. It's a passionate gallant color. Anything is wonderful if it transcends things rather than being halfway.
I have a color-coded computer spreadsheet that divides things down to chapter fragments. Each character's point-of-view is a different color. The text of the manuscript is color-coded the same way. The last thing I do before submitting the manuscript is turn all those colors back to black.
We all see color. We do. And anyone who says he doesn't see color is confused or isn't telling the truth. Except... and I know how this sounds, but I can't remember any point in my life where I saw other people and thought of their color.
Most eyes have more than one color, but usually they're related. Blue eyes may have two shades of blue, or blue and gray, or blue and green, or even a fleck or two of brown. Most people don't notice that. When I first went to get my state ID card, the form asked for eye color. I tried to write in all the colors in my own eyes, but the space wasnt big enough. They told me to put 'brown'. I put 'brown', but that is not the only color in my eyes. It is just the color that people see because they do not really look atr other people's eyes.
When I’m running, there’s always this split second when the pain is ripping through me and I can hardly breathe and all I see is color and blur—and in that split second, right as the pain crests, and becomes too much, and there’s a whiteness going through me, I see something to my left, a flicker of color […]—and I know then, too, that if I only turn my head he’ll be there, laughing, watching me, and holding out his arms. I don’t ever turn my head to look, of course. But one day I will. One day I will, and he’ll be back, and everything will be okay. And until then: I run.
I like to wear a lot of one-tone color outfits - same color trousers, same color shirt.
All students need to know about color is the basic color wheel and complimentary colors. There are many books on color theory; do not waste your time and money.
Color is a major element in scale. A small room can have a larger look by the use of closely related values, hues, and intensity. A large room can be made to look smaller by marked contrasts of color and value, hue, and intensity. Value is one of the most important elements. Whether light or dark, little value contrast makes for unity, and sharper contrast makes for stronger punctuation.
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