A Quote by John Van Hamersveld

Meeting everyone you wanted to know in the small surf industry, I saw how the surf trade was made up of characters that not only surfed, but were able to develop a business out of their relationship with their product and the ocean.
We were doing Scarface many years ago...and I remember having my coffee and looking at the beach, the surf, and I saw a hundred people looking out into the ocean. I thought, what's going on? Did some whale get washed up to shore? So I stood up on the table to see what it was, and it was the director, Brian De Palma, standing there alone by the surf and they were all waiting for him. And I never forgot that because it represented to me what a director is, what a director does.
I'm trying to teach my girlfriend how to surf. But I just end up yelling at her the whole time. Because I don't know how to surf.
My only real fear was that I would not be able to surf again because I was concerned that I would not physically be able to do it. I knew that if I wasn't able to surf then my life would really change.
I need to surf - surf and yoga. Whenever I'm in L.A., I go down to San Diego to surf for the weekend, and I always come back perfect.
Every part of me is a surfer. I love surfing, and I love the waves that I surf. So that's the thing that I get excited about most: What kind of waves am I going to be able to surf? Am I going to be surfing alone, or will we be surfing waves that no one's surfed before? Second to that is photography.
Three most important things in life, surf, surf and surf.
We grew up quickly, surrounded by guys eighteen and older, in their prime. They lived to surf, drink, raise hell and score heavily with women. I saw these guys going up and down the coast on surf trips, drinking and bagging girls, and all I could think of was 'What a neat life!'
The magic that you find in surf music, I think, is really timeless. You know, when I was very young, I was in a surf band. Surf music is an instrumental music that still means a lot to me, not in an nostalgic way, but as something that really gets to the heart of the guitar itself.
If athletics wasn't an option, I'd probably work at like a surf shop in Hawaii on the beach, just dishing out surf boards.
My high school didn't have a football team; we just had like a surf team, because I grew up in Encinitas, California, which is the ultimate place where everyone skated or surfed, so it was a very different culture. It was, like, cool to be the art kid.
Surf culture and surfing for me are two completely different things. Surf culture has become very - it's a very commercial, competitive thing, fashionable. With all due respect to the 'Surfer Dude' movie, I think the 'Surfer Dude' movie reflects that, reflects what surfing's become, but I come from a place where the surf industry began.
The kids called me King of the Surf Guitar. I surfed sunup to sundown.
I've got nothing against L.A. I think it is a really beautiful place. To be able to surf and get out in the Pacific Ocean every once in a while. The hiking, all of that is amazing. I love it there.
I surfed competitively from age 13 to 18. Every day, before and after school. I wanted to surf for the rest of my life. It's what all my friends did - I even had it as a subject in school for a number of years.
I've been around the surf culture since I was a kid. I grew up in a beach town in Rhode Island. Then eventually I lived in Dana Point, Calif., a real surf hotbed.
Watching nonprogrammers trying to run software companies is like watching someone who doesn’t know how to surf trying to surf. Even if he has great advisers standing on the shore telling him what to do, he still falls off the board again and again.
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