A Quote by John Van Hamersveld
Because I went to Chouinard, which then became CalArts, I became a multi-discipline artist - it wasn't just about painting, it was about media and performance.
Related Quotes
This rose became a bandanna, which became a house, which became infused with all passion, which became a hideaway, which became yes I would like to have dinner, which became hands, which became lands, shores, beaches, natives on the stones, staring and wild beasts in the trees, chasing the hats of lost hunters, and all this deserves a tone.
As the books grew bigger and more ambitious, the situations in question sometimes became political ones, and so it became necessary to start painting in the social background on a scale which eventually became panoramic.
Why was the painting made? What ideas of the artist can we sense? Can the personality and sensitivity of the artist be felt when studying the work? What is the artist telling us about his or her feelings about the subject? What response do I get from the message of the artist? Do I know the artist better because of the painting?
Where do we say that a cell became a blade of grass, which became a starfish, which became a cat, which became a donkey, which became a human being? There's a real lack of evidence from change from actual species to a different type of species.
The most difficult thing about painting is the self-discipline. When I finish a job, I give myself a few days, but then I have to discipline myself quite fiercely if I want to do some painting that's worthwhile. Otherwise, you're just doodling. It's much easier when you're just told what you have to do.
It was in the 1960s that the left convinced itself that there is something fascistic about patriotism and something perversely "patriotic" about running down America. Anti-Americanism - a stand-in for hatred of Western civilization - became the stuff of sophisticates and intellectuals as never before. Flag burners became the truest "patriots" because dissent - not just from partisan politics, but the American project itself - became the highest virtue.
All that stuff about flatness - it's this idea that painting is a specialized discipline and that modernist painting increasingly refers to painting and is refining the laws of painting. But who cares about painting? What we care about is that the planet is heating up, species are disappearing, there's war, and there are beautiful girls here in Brooklyn on the avenue and there's food and flowers.
I used to be a not-healthy 130 lb. girl, all in my stomach, all in my arms so I lost the weight and I stayed there then I became a control freak about the way I was eating and it just became the norm.
We became such darlings of a certain type of media. We became a package; we became easy to sell: these three golden nuggets that could pour out all the goods. It was all exposure in an almost violent way.
We used to have MTV and all these ways we can show our videos, and it was these rap shows, and it was everything. And then it became not cool to be conscious; it became cool to just hang out. Escapism rap became the norm. And, when I say "escapism rap", I mean getting high, get your cars, get your money, get your jewelry, go to the club, have your women, and it just became all about escaping your reality and not making your reality better on a real tip; not just on the have fun tip.
I realized that most people waste their lives earning a living, and I wanted to live. I love painting, so I keep painting. That's how I became an artist.
I think it became blurry because I grew up in a very private family. I mixed privacy and secrecy up somewhere along the line. Everything became a secret, and I thought that was how you should live. Lying about everything. The mask I put on as a kid to survive was the funny lady. Then the funny person all of a sudden became harder to do without substances. Substances let me keep the mask on longer. Until it doesn't work anymore and you're just a mess.
Let's talk about the artist's desire to go beyond the pictorial or the representational and the desire to create the abstract - the idea that painting can go beyond what is seen. What we found is that, increasingly, painting became about paint, its own material truth. When I'm talking about the way that we look at others and the way that we see ourselves increasingly, looking at others becomes its own material truth.
I just became a stronger agnostic, and then I started to realize that everyone who was saying they were agnostic really hadn't thought about it that much. Still, I went with agnosticism for a long, long time because I just hated to say I was an atheist -- being an atheist seemed so rigid. But the more I became comfortable with the word, and the more I read, it started to stick.
It was weird. I joined this band because my life was all about singing. Then Girls Aloud became successful, and suddenly it wasn't just about being able to sing any more. It turned into a beauty contest.
In the beginning the church was a fellowship of men and women centering on the living Christ. Then the church moved to Greece where it became a philosophy. Then it moved to Rome where it became an institution. Next, it moved to Europe, where it became a culture. And, finally, it moved to America where it became an enterprise.
Related Authors
Ai Weiwei Quotes
Chinese
Artist
Andy Warhol Quotes
American
Artist
Claude Monet Quotes
French
Artist
David Hockney Quotes
English
Artist
Gerhard Richter Quotes
German
Artist
Henri Matisse Quotes
French
Artist
Kehinde Wiley Quotes
American
Artist
Leonardo da Vinci Quotes
Italian
Artist
Marcel Duchamp Quotes
French
Artist
Marina Abramovic Quotes
Serbian
Artist
Maurice Sendak Quotes
American
Artist
Michelangelo Quotes
Italian
Artist
Paul Cezanne Quotes
French
Artist
Robert Genn Quotes
Canadian
Artist
Robert Henri Quotes
American
Artist
Yoko Ono Quotes
American
Artist