A Quote by John Vanderslice
I like vinyl because it's not quite random access. You have to pick up the needle, flip the record. I do think that an 18-20 minute block of music is sacred, and I can see why it's catching on. I really don't know if it will stay, but it's such a bizarre world, I think it's possible.
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For me, a record is valid when I actually hold the vinyl. Like, I've worked on the art for a while and I see the vinyl and I go "Ooh, it's an actual LP. How cool is that?" That's very sacred to me. You can't take that back, you know?
I still do mostly listen to CDs. I think that every format really is a different way of listening. If you take a different sort of psychological stance to it - like, I think the transition from vinyl to CD definitely marked a difference in the way people treated music. The vinyl commands a certain kind of reverence because it's a big object and quite fragile so you handle it rather carefully, and it's expensive so you pay attention to how it's looked after.
Rome is a city where in every corner you have a reminder of the sacred world. That's why I have sacred music, minimalist sacred music, which is also music I like, because at the end of the day, that's what I want to do.
I'm not one for sitting around listening to my own music, because I tend to cringe and think that I could have done better. I also suffer from red light syndrome quite a lot. I tend to narrow my thinking when the red light goes on to record. Instead of just relaxing and playing and emoting, I think of time being wasted so I won't take a chance on something. Consequently, when I hear it back, I think, "Why the hell did I play it so safe on that piece of music when I could have really opened up?" Well, it's because of not wanting to make a mistake.
I think it would be bizarre to pick somebody to speak at the convention based on their sexual preference, because once you go down that road, why don't you pick a transvestite?
Vinyl's like a really juicy steak compared to like a kind of tough steak or something. It's really good. And once you listen to vinyl and get a chance to hear it, I think anyone will enjoy it more than they will digital.
A lot of people that buy vinyl today don’t realise that they’re listening to CD masters on vinyl and that’s because the record companies have figured out that people want vinyl, And they're only making CD masters in digital, so all the new products that come out on vinyl are actually CDs on vinyl, which is really nothing but a fashion statement.
I record all night and sleep all day. It started because you're excited about the music and you want to stay up longer, but over 15 years, it's become a habit. In my circle, I think a lot of musicians operate like this. When the place is quiet, you're more creative. I have plenty of people I can call at 4 A.M. and know they'll be up.
I grew up with vinyl records and remember the pleasure and the kind of buzz that I got from buying a beautiful vinyl record with the sleeve and the lyrics - all that kind of tactile experience that you could get from an old vinyl record.
Everyone's opinion is of equal value, which is bizarre to me. It's so hard to get anybody cast because you'll be on the phone with 15 people, and if anybody says I don't know about that guy - move on. Wait a minute, why is that person's note valid? It's such a bizarre process that's sprung up around it.
In early comics, you see the amazing awkwardness and bizarre reasoning in the storyline, and it's because comics hadn't really been invented yet. There was no format for them to follow. They were just making it up. So I try to incorporate that kind of awkwardness in my comics quite frequently, which is odd. In some ways, I can't be as awkward as I'd like. But I do think that's one way in which my comics are unusual, because I will try to make the artwork look bad, occasionally.
It's true that in a lot of western feminist movements, you see women working singularly from men. Suffragettes and the women's rights movement in the 60s here, but when I think of the Islamic feminist movement, I think of a lot of men who are very much standing with the women. It really feels like in equal numbers. Women are catching up in the field because we were not given access to knowledge and encouraged into these studies and so these men are helping us and empowering us. They are men of conscience who are fed up with this assumption that they're entitled.
I'll see some random guy and really like how he's locking his wrist when he's shooting or how a guy is catching the ball. It can be a little reminder that that's something I have to think about today.
Saying you're a pop group isn't saying very much. Personally, when I think of pop, I think of instant, accessible, catchy songs - I definitely identify our music as that. I think that by writing pop, or instant, accessible or hopefully catchy music, it shoes you into bigger audiences because it seems that more people like that music. I think the possibilities are endless if you stick to a simplistic short song; the music can be as wild and bizarre as you want it to be, as long as at the core of it, there's something really strong.
Nothing comes easy. I know that people joke all the time and try to figure out, you know, what it is that I do, but I work really hard. I get up every day at 5 a.m. and start my day. I think as long as you work really hard and figure out what you want to do and stay motivated and have a plan and stay committed - just don't be lazy. That's my best advice. It's the most simple advice, but it really worked for me. I think that for some reason, I see people that think things will come easy and it doesn't really come easy.
Music is very, very important in my movies. In some ways the most important stage, whether it ends up being in the movie or not, is just when I come up with the idea itself before I have actually sat down and started writing. I go into my record room... I have a big vinyl collection and I have a room kind of set up like a used record store and I just dive into my music, whether it be rock music, or lyric music, or my soundtrack collection. What I'm looking for is the spirit of the movie, the beat that the movie will play with.
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