A Quote by John Varvatos

When I started working in fashion, I didn't have money to buy photographs, so I'd Xerox pictures from magazines and put them in notebooks. When I'd start a collection, I'd sit with my old notebooks and look through them for inspiration.
I go through all of my old notebooks, and I put an X on every page when everything has been entered into the computer, and sometimes that takes 15 years. But eventually the notebooks are full of X's, and they're no good to me anymore.
My comedy notebooks are filled with random journal entries. It's all the same. I can look back on old joke notebooks, and know exactly what was going on in my life.
Usually, I have a lot of acquaintance with the story before I start writing it. When I didn't have regular time to give to writing, stories would just be working in my head for so long that when I started to write I was deep into them. Now, I do that work by filling notebooks.
In the course of writing 'First Light,' I climbed all over and through the Hale Telescope, where I found rooms, stairways, tunnels, and abandoned machines leaking oil. My notebooks show tooth-marks where I gripped them with my teeth while climbing around inside the telescope, and the notebooks are stained with Flying Horse telescope oil.
Gaming notebooks aren't that abundant. Not that many gamers are able to play on notebooks.
I was always writing. When I was a little kid, before I learned how to write, I would tell stories. But as soon I as capable, I started writing. I filled notebooks and notebooks until I got my first computer when I was 11. It never really occurred to me that I would do anything else.
When I was kid, they always used to tell me to keep notebooks. I look at my shelves now and it's just nothing but notebooks. And if I haven't gotten an idea but I have time to work, I'll pull one out and I bet there will be five or six sentences that will kick me off.
I had already done a lot of research for Rough Riders, keeping notebooks and old photographs. Some of the books were antiques for that time period, with the covers falling off.
I have a penchant for fresh notebooks and mechanical pencils. It seems every time I go to the store, I buy a new notebook. I have dozens of them just sitting around.
My elder sister used to get the fashion magazines, and I would go through them and find things I liked and buy fabric and copy them. But I hated what I looked like. I mean, I was sooo skinny.
Once I found out that I was playing 'Deathlok,' I unearthed my old comic book collection. I was going home for Christmas, and I have a collection of thousands of comics. I was surprised to see that 90% of them were Marvel. So, I wanted to go through my collection and start there.
When I was a kid, the punishment I disliked the most was writing sentences. My mother loved to make me record my transgressions--always a minimum of five hundred times--and she even bought special spiral notebooks for me to fill up.... No matter how many notebooks I went through, there was always another one waiting in the kitchen drawer.
The red library is Sui's tribute to fashion maven Diana Vreeland, who served as editor for Harper's Bazaar (1939-1962) and Vogue (1963-1961). My most precious collection is my bound Vogue magazines, .. and they're kind of like my Bible. I look at them all the time when I'm trying to inspire myself for a collection.
I was taking all prints and I brought them to the Magnum meetings, trying the old Josef Koudelka trick: Give them to photographers, who are getting bored during the talks about the economics of the agency, to look through with a pen. They'll separate them in two piles. I started to find the core pictures that people seem to relate to.
One of my favorite stores in the Old Town is Buchbinderei. It's this tiny stationery shop where the owner, Doris Feldman, makes these beautiful hand-bound notebooks I always buy for gifts.
Actually, when I look at my old notebooks, I think I have been a bit self-indulgent and have given myself too much time to meander in my discursive thoughts. I could have cut through sooner. Yet it is good to know about our terrible selves, not laud or criticize them, just acknowledge them. Then, out of this knowledge, we are better equipped to make a choice for beauty, kind consideration and clear truth. We make this choice with our feet firmly on the ground. We are not running wildly after beauty with fear at our backs.
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