A Quote by John Waite

I mean, I really hung in there for as long as I could. I was working 18 hours a day on songs and singing. — © John Waite
I mean, I really hung in there for as long as I could. I was working 18 hours a day on songs and singing.
At some point, I had to make a decision: I could practice more and become a really great guitar player or I could work on writing better songs. There are only so many hours in the day, and I found writing songs more fulfilling than working on becoming this virtuoso guitar player.
Personally, I enjoy working about 18 hours a day. Besides the short catnaps I take each day, I average about four to five hours of sleep per night.
I was proud of working 18 hours a day and sleeping three hours a night. It's something now that has turned into a problem for me: not being able to sleep... having insomnia.
My first gig, I was about 17 or 18. But I'd been singing a long time. I got a guitar when I was 8, and started trying to write songs as a teenager.
I didn't have much of a relationship with the songs and my voice was changing. I didn't have any control over it. I mean, one day it could be high and the next day it could be gone. And that's why we had to keep going back in and doing songs over.
Nobody should be working 18 hours a day for a whole year or any period of time.
People started noticing my singing on YouTube, and then I came to L.A., and I lived on a studio couch. I wrote songs every single day with whoever I could write songs with.
When you spend many hours a week working with the same people - I mean television operates on really amazing hours and the gift of that is the trust that you feel and the intimacy that you feel with the people who you're working with.
I mean the people who seriously, seriously play devote their lives to it sort of the way monks do. I mean you don't date, you go to bed at a certain time, you eat certain ways, you practice 10-12 hours a day. And I mean, the difference between practicing three hours a day and practicing 12 hours a day is everything. And I certainly never - I never trained seriously after the age of 16.
If you have nothing to hide, if you're actually working for eight hours, or 10 or 12 hours, however long people decide to work, it's OK to have windows around conference rooms, it's OK to have cubicles. Because you're actually working. If you're not working, doing social media and spending half the day for personal stuff, then an environment like this will actually bother you.
There's a lot of work that goes into it - if you think about how many collections a year that Karl Lagerfeld has to do, with Chanel and all the other things he does - you can't do that unless you are working 18 hours a day. It's really a lot of hard, hard work.
I think of myself more as an actress. I do my music because I'm very passionate about my music. I love making music. I love inspiring people. I love making great songs that are just really fun. But that's all it usually is for me. I love touring and singing great songs. I don't think I'll ever win a Grammy one day, and I'm totally fine with that. I do work really hard when it comes to acting and I want to do that for a long time.
If you're doing an hour-long show, you're working movie hours, doing a 12-15-hour day. We work three or four hours a day, and get every third or fourth week off to give the writers time to write. It's the cushiest job in Hollywood.
I always lose weight - around 5 to 7 lbs. It's because of our strenuous rehearsals and long hours, which is not relatable to anybody because you're working out 8 to 10 hours a day.
I really believed music was going to be a big part of my future, and that's why I took a truck driving job, so I could maintain my singing job at night. I put about 30 hours a week just for singing, going between two churches. And in order to afford that, I had to take a full time job so I could do my passion.
Acting is something I work really, really hard on that I throw myself into a situation where I do work 18 hours a day. And I do hope to see longevity.
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