A Quote by John Wayne
I read someplace that I used to make B-pictures. Hell, they were a lot farther down the alphabet than that . . . but not as far down as R and X. I think any man who makes an X-rated picture ought to be made to take his own daughter to see it.
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Any man who'd make an X-rated movie ought to have to take his daughter to see it.
I've learned during my life that if I am in hell, I make my own glory. I've also been in glory, and perhaps I've made my own hell, but I certainly don't take anyone down with me.
If I'm writing... even a piece of a song... I write it down. If it still resonates six months down the line, a year, even five, those are the ones you put in your bag and you take to the studio. You come to realize, the ones that don't make it, they were only meant to live for that moment in your notebook or on the 4-track-and plenty of songs never get any farther than the 4-track.
the grim, grand African forests are like a great library, in which, so far, I can do little more than look at the pictures, although I am now busily learning the alphabet of their language, so that I may some day read what these pictures mean.
[Mr. Gifford] made it much his business to deliver the people of God from all those false and unsound rests that by nature we are prone to make and take to our souls. He pressed us to take special heed that we took not up any truth upon trust - as from this or that, or any other man or men - but to cry mightily to God that He would convince us of the reality thereof, and set us down therein by his own Spirit in the holy word.
One cool judgment is worth a thousand hasty councils. The thing to do is to supply light and not heat. Ay any rate, if it is heat it ought to be white heat and not sputter, because sputtering heat is apt to spread the fire. There ought, if there is any heat at all, to be that warmth of the heart which makes every man thrust aside his own personal feeling, his own personal interest, and take thought of the welfare and benefit of others.
May we not have a picture of Christ, who has a true body? By no means; because, though he has a true body and a reasonable soul, John 1:14, yet his human nature subsists in his divine person, which no picture can represent, Psalm 45:2. Why ought all pictures of Christ to be abominated by Christians? Because they are downright lies, representing no more than the picture of a mere man: whereas, the true Christ is God-man
The original 'RoboCop' was X-rated, and then they had to cut it down so it became R-rated, and Verhoeven claimed that actually made the movie more violent, because it's what you don't see that actually scares you.
Soccer players in L.A. can kind of just walk the streets. They have bigger people to take pictures of. They see Sylvester Stallone walking down the street, I don't think they are going to want an Ashley Cole picture, to be honest.
A lot of people in Hollywood are on that ego trip. They think they're more than somebody else. I've told a lot of stars in my career, 'Hey, man you're looking down on the people who made you. lf you keep doing that, you're gonna fall back down.'
Christ came down to save us from a terrible hell, and any man who is cast down to hell from here must go in the full blaze of the gospel, and over the mangled body of the Son of God.
Somebody was saying to Picasso that he ought to make pictures of things the way they are-objective pictures. He mumbled that he wasn't quite sure what that would be. The person who was bullying him produced a photograph of his wife from his wallet and said, "There, you see, that is a picture of how she really is." Picasso looked at it and said, "She is rather small, isn't she? And flat?"
Would God give a bird wings and make it a crime to fly? Would he give me brains and make it a crime to think? Any God that would damn one of his children for the expression of his honest thought wouldn't make a decent thief. When I read a book and don't believe it, I ought to say so. I will do so and take the consequences like a man.
A man who has blown all his options can't afford the luxury of changing his ways. He has to capitalize on whatever he has left, and he can't afford to admit - no matter how often he's reminded of it - that every day of his life takes him farther and farther down a blind alley.
And I think that being able to make people laugh and write a book that's funny makes the information go down a lot easier and it makes it a lot more fun to read, easier to understand, and often stronger. So there's all kinds of advantages to it.
All the interesting films are now being made by their subsidiaries for very low budgets. But the studios are not making money. They're making these big, very expensive pictures that take a lot of money but don't really pay for their costs. So they're having a very difficult time. I can see the system breaking down. I think the American studios are a reflection or a metaphor for American industry altogether, which is failing in the world. Its economic domination is being broken down and I think the same thing is happening to the studios.
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