A Quote by John Wayne

My main object in making a motion picture is entertainment. If at the same time I can strike a blow for liberty, then I'll stick one in. — © John Wayne
My main object in making a motion picture is entertainment. If at the same time I can strike a blow for liberty, then I'll stick one in.
The American motion picture is the greatest unconscious carrier of propaganda in the world today. It is a great distributor for ideas and opinions. The motion picture can standardize the ideas and habits of a nation. Because pictures are made to meet market demands, they reflect, emphasize and even exaggerate broad popular tendencies, rather than stimulate new ideas and opinions. The motion picture avails itself only of ideas and facts which are in vogue. As the newspaper seeks to purvey news, it seeks to purvey entertainment.
Dialectical thought is related to vulgar thinking in the same way that a motion picture is related to a still photograph. The motion picture does not outlaw the still photograph but combines a series of them according to the laws of motion.
There shall be no solution to this race problem until you, yourselves, strike the blow for liberty.
A picture, to be an interesting picture, must be more than a picture, otherwise it is only a reproduction of an object, and not an object of value in itself.
Quantum physics presents a new and exciting worldview that challenges old concepts, such as deterministic trajectories of motion and causal continuity. If initial conditions do not forever determine an object's motion, if instead, every time we observe, there is a new beginning, then the world is creative at the base level.
I made my last motion picture in March 1965 for Magna Pictures. 'Harlow,' based on the life of actress Jean Harlow... I didn't know at the time that 'Harlow' would be my last motion picture.
Yes, Boss?' Dorcas, the last twenty or thirty years I've been a worthless, no-good parasite.' She yawned again. 'Everybody knows that.' Nevermind the flattery. There comes a time in every man's life when he has to stop being sensible--a time to stand up and be counted--strike a blow for liberty--smite the wicked.' Ummm...' So quit yawning, the time has come.' She glanced down. 'Maybe I had better get dressed.
Painting is seen as picture making, the making of an art object, something that can stand on its own.
A picture should be a re-creation of an event rather than an illustration of an object; but there is no tension in the picture unless there is a struggle with the object.
When you strike a blow, do not let your mind dally on it, not concerning yourself with whether or not it is a telling blow; you should strike again and again, over and over, even four or five times. The thing is not to let your opponent even raise his head.
Stick." I said in Russian. I had no clue what the word for stake was. I pointed at the silver ring I wore and made a slashing motion. "Stick. where?" He stared at me in utter confusion and then asked in perfect English, "why are you talking like that?
There's been no major motion picture released by a studio, no independent motion picture, in theaters, with King at the center, in the 50 years since these events happened, when we have biopics on all kinds of ridiculous people. And nothing on King? No cinematic representation that's meaningful and centered.
Whenever a single definite object is made the supreme end of the State, be it the advantage of a class, the safety of the power of the country, the greatest happiness of the greatest number, or the support of any speculative idea, the State becomes for the time inevitably absolute. Liberty alone demands for its realization the limitation of the public authority, for liberty is the only object which benefits all alike, and provokes no sincere opposition.
I see the experience of pictures as a kind of cycle, a kind of circular motion in which you're in the world, then you enter the picture and you're in a different world (it's not the same as the one you live in, but recognizable as one you might live in). And then you're returned to your world with an enlarged sense of its possibilities.
If you strike a child, take care that you strike it in anger, even at the risk of maiming it for life. A blow in cold blood neither can nor should be forgiven.
The daemonic-divine object may appear to the mind an object of horror and dread, but at the same time it is no less something that allures with a potent charm, and the creature, who trembles before it, utterly cowed and cast down, has always at the same time the impulse to turn to it, nay even to make it somehow his own.
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