A Quote by John Williams

I'm not a frustrated concert composer, and the concert pieces I've done have been a small part of my work. What I've sought there is instruction, variation from the demands of film and relief from its restrictions.
One of the most rewarding things is meeting someone after a concert who has never been to a concert before. It is incredibly rewarding when they say, 'This is my first classical concert.' It is really exciting for everyone.
My first concert isn't that cool or ironic. I wish it had been like, "My first concert was the Backstreet Boys," but the first concert I went to, I think, was this band called The Samples.
Film writing and concert writing are two very different things. In film writing I am serving the film and it tells you what to write. I have to stay within the parameters of the film. In writing concert music for the stage I can write anything I want and in this day and modern age rules can be broken.
My dad dragged me to a Bruce Springsteen concert as a kid. It was my first concert, but I fell asleep in the middle. My second concert was Weezer on the 'Pinkerton' tour, and 'Pinkerton' is the reason why I'm doing this.
My dad dragged me to a Bruce Springsteen concert as a kid. It was my first concert, but I fell asleep in the middle. My second concert was Weezer on the Pinkerton tour, and Pinkerton is the reason why Im doing this.
I'll never forget the first concert I basically went to. Actually, Sonny and Cher was my first concert, but U2 was my first real concert. I was 17 and saw them at JFK Stadium and had really crappy seats.
A concert is a concert is a concert is a concert. An album is an album is an album is an album. Musically, both have nothing in common.
My pieces usually are programmed on concerts in which the other works are standard repertoire. My music always sounds very different when it's on a concert of all contemporary music. It always seems to stick out at an odd angle. This also makes me think of a question I sometimes debate with my friends: does the music of a composer directly reflect that composer's personality? This is a difficult one, but I think it usually does.
In fact, since no one's been interested in my work, I took the responsibility recently to invest in my own work, so I'm producing a concert that was done at the Vision Festival in May.
The stuff that is done on Broadway is hardly theatre. It is part magic show, part rock concert, and part conjuring things.
I think every classically trained film composer feels to some extent, maybe on some level, that they took the low road, that they could have maybe pursued a career in the concert music world, and perhaps been involved in a higher quality of music.
I won't lie, I didn't know there was a concert. I've always known about the Nobel Peace Prize and the different prizes given out for science and this and that, but I didn't know there was a concert the day after. When they said, 'You're going to perform in Norway for the Nobel Peace Prize concert,' I was like, 'All right, I'm there.'
I love music but I never went to a concert in my life. The first time I went to a concert I performed on a stage with Drake.
You go to a pop concert or a classical concert but there's nothing in between.
I think the first concert I ever went to was maybe a Five Iron Frenzy concert or something when I was in high school.
I have a memory of this experience when I was young, watching 'Stop Making Sense,' the Talking Heads concert movie, which is one of the best concert movies ever, and I saw it in a full house in New Zealand, and everyone was cheering between songs, and you really felt like you were part of the audience at the gig.
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