Think of golf as chess. You have to think two or three moves ahead every time you hit the ball. Over every shot, you should be thinking, 'Where do I need to put this ball in order to make my next shot as easy as possible.
The ball touched the paint a lot of times. When we talk about touching the paint, the ball touches the key for making a layup or making a play for a teammate. We've got to use our length and our speed. Defensively, getting deflections. Give up one shot and rebound.
He knows all the golf lingo. You know? You hit your ball, he's like "there's a golf shot. That's a golf shot." Well of course it's a golf shot; I just hit a golf ball. You don't see Gretzky skating around going "there's a hockey shot, that's a hockey shot."
In the old physics, three times two equals six and two times three equals 6 are reversible propositions. Not in quantum physics. Three times two and two times three are two different matters, distinct and separate propositions.
In order to hit a good golf shot at that moment in time when you're standing over the ball, you must believe that golf shot is the most important things in your life.
Before every game I used to go out and shot the same shots over and over and over. In the summer time I spent a lot of time just shooting. So really it just came natural. Whether it's a tie game or down by 1 or up by five, it was always the same shot. So I always felt comfortable with the ball in my hands because it was in there a million times before.
Saturday The 14th movie is a cult classic. And you know another one like that that I did, is Three O'Clock High. People come up to me about those two all the time. Film schools even study Three O'Clock High. Shot for shot, it's a textbook.
I want to teach the post basic moves: turn and bank; drop-step and shoot a power layup; turn to the middle, pump-fake, one-bounce layup; and I want to teach five power moves. They are power layup straight up; pump-fake one bounce to the other side power layup; pogo when you catch it up high, keep it up high, and shoot it; and then the two-hand follow shot.
In going for the last shot of the game most people wait too long to take the shot. Give yourself a chance to get the first shot and tap the ball in. Your players are normally inside the defense.
Control is the main thing, and the tee shot is the most important shot in golf. You've got to hit the fairway before you have a good chance of putting the ball close to the pin. You can be the greatest iron player in the world, but if you're in the boondocks it won't do you any good.
It comes to the point where, if a midrange shot is there, I'm going to take it. If I'm open, I have to shoot that shot. That's a great shot for the team and myself.
Shammiji is said to be India's answer to Elvis Presley, but I say that Elvis Presley is America's answer to Shammi Kapoor. The mark of a good actor is the belief with which he gives a shot and Shammiji gave his each shot with a strong belief and that makes him a great actor of all times.
I'm not going to make every shot. I'm not going to get every block. I can't let one play affect me the next two or three times down the court.
You look at today, it's a different situation. You have a game that has been transformed into a game where almost every shot is either an outside shot - a three-point shot - or a dunk.
If you're playing a shot and your peripheral vision picks up a player moving as you play the shot, if your vision goes from the object ball to what they're doing, you can miss the shot by several inches.
A lot of guys can shoot two, three, four, five, six, seven, 10 feet behind the 3-point line. A lot of people can do it. It's just, when is it going to be considered a good shot? When are coaches going to encourage you to shoot that shot?