A Quote by John Wooden

My assistants and I often would spend more time planning a practice than the actual practice itself — © John Wooden
My assistants and I often would spend more time planning a practice than the actual practice itself
The way anything is developed is through practice practice practice practice practice practice practice practice practice and more practice.
I would spend almost as much time planning a practice as conducting it. Everything was planned out each day
The right kind of practice is not a matter of hours. Practice should represent the utmost concentration of brain. It is better to play with concentration for two hours than to practice eight without. I should say that four hours would be a good maximum practice time-I never ask more of my pupils-and that during each minute of the time the brain be as active as the fingers.
To think that practice and realization are not one is a heretical view. In the Buddha Dharma, practice and realization are identical. Because one's present practice is practice in realization, one's initial negotiating of the Way in itself is the whole of original realization. Thus, even while directed to practice, one is told not to anticipate a realization apart from practice, because practice points directly to original realization.
Most people spend more time planning a one-week vacation than they spend planning their life.
It's not necessarily the amount of time you spend at practice that counts; it's what you put into the practice.
There should be a period of time during each practice session when you perform. Invite some friends in to your practice room and play a passage or a page of something. ... What I'm trying to indicate is that each day should contain some amount of performing. You should engage in the deliberate act of story telling each day you practice. Don't only gather information when you practice, spend time imparting it. This is important.
How do you best move toward mastery? To put it simply, you practice diligently, but you practice primarily for the sake of the practice itself.
I learned early on how to make best use of my time. You know, quality is more important than quantity when it comes to practice time. And unfortunately, I still need to practice a lot.
Meditation practice is like piano scales, basketball drills, ballroom dance class. Practice requires discipline; it can be tedious; it is necessary. After you have practiced enough, you become more skilled at the art form itself. You do not practice to become a great scale player or drill champion. You practice to become a musician or athlete. Likewise, one does not practice meditation to become a great meditator. We meditate to wake up and live, to become skilled at the art of living.
My dad was the one who really loved basketball, and he was the one that put the basketball in my hands, and my mom was 'Team Mom' of all my teams. I used to play for three or four teams at once and she would just spend her entire afternoon driving me from practice to practice to practice.
One can get a proper insight into the practice of flying only by actual flying experiments. . . . The manner in which we have to meet the irregularities of the wind, when soaring in the air, can only be learnt by being in the air itself. . . . The only way which leads us to a quick development in human flight is a systematic and energetic practice in actual flying experiments.
SuperMemo is based on the insight that there is an ideal moment to practice what you've learned. Practice too soon and you waste your time. Practice too late and you've forgotten the material and have to relearn it. The right time to practice is just at the moment you're about to forget.
I practice a lot. I practice in the winter when it's cold in Connecticut - a lot. I practice in my bedroom on the carpet - a lot. For all the practice I do, I should be a better golfer than I am.
Many people spend more time in planning the wedding than they do in planning the marriage.
The music kind of takes care of itself because we've done all that as preproduction in the practice room. So by the time it gets onstage, each song has about one hundred hours of way too much mothering gone into it. So when you see us play live, that is the product of ninety days of practice, over a year of writing, listening to demos on the weekends after practice.
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