A Quote by John Wooden

I talked to the players and tried to make them aware of what was good and bad, but I didn't try to run their lives. — © John Wooden
I talked to the players and tried to make them aware of what was good and bad, but I didn't try to run their lives.
You have to take the good with the bad. Some players only talk to the press when they are doing good. When you're doing bad you shouldn't shy away from them and when doing good, don't run up to them.
I have had players who are good, and who know they are good; I have had players who are bad and know they are bad; I have had players who are good, but who don't know they are good; I have had players who are bad, but who don't know they are bad. It is this last group that has won more games for me than the first three groups combined.
Practice is tough. We try to purposely make it difficult on our players on whatever it is that we're trying to do during the week to get ready for that opponent so that we see the most difficult looks, so that we make our players aware of the things that could certainly impact the game in a negative fashion.
I'm sure that any current or past player of mine would tell you that the balls we practice with are as bad as they can be: wet, sticky, cold, slippery. However bad we can make them, I make them. Any time that players complain about the quality of the footballs, I make them worse and that stops the complaining.
I've played people that are on the line of evil and good, but that's life. We are always playing with the good and the bad. I see them as people. I don't see them as caricatures. I try to not make them caricatures. Maybe I fail, but I try to see what' behind them. Would I play the hero? A superhero? I don't think so. But, I play good guys. There are some there, but you have to look.
What I do as an art form is try to make people feel good and if I do try to make them feel bad, it's for a reason. There's something I am trying to say.
When I play a good guy, I try to explore them and figure out what shapes them and makes them interesting. When I'm playing a bad guy, I try to explore everything that makes them good. No one ever really thinks that they're a bad guy.
I don't consciously try to make things difficult as much as I try to make them a little different. I like all kinds of laughs. I tried to make a show that elicit groans, guffaws, chuckles, boos.
I tried to explain in 'The Nine of Us' how we grew up with politics. At meals we talked about what was in the newspaper. We talked politics non-stop! Campaigning for our brothers was a part of our lives.
Kids have been let down by adults - we've tried to give them too much, we've tried not to impose discipline. We've tried to make their lives easier and, in doing so, we've taken something away from them. Kids like boundaries, they also like to be pushed, need to learn what failure is all about, need guidance.
When it comes to partisan politics, everyone is a hypocrite. And all they care about is whether it hurts or helps them ... Is it good or bad for the Democrats? Is it good or bad for the Republicans? Is it good or bad for Jews, or good or bad for blacks, or is it good or bad for women? Is it good or bad for men? Is it good or bad for gays? That's the way people think about issues today. There is very little discussion of enduring principles.
My personal coaching philosophy, my mentality, has always been to make things as difficult as possible for players in practice, however bad we can make them, I make them.
I'm a good coach. I do the right things for my players, and I try to support them; I try to help them almost to a fault.
I think I play with no fear: I run at players regardless of who they are and try to make a difference.
I tried working with the best of directors and producers. I tried being selective, but things didn't work out. Now, I am open to working with anybody and everybody who is good. Or I'll try to make it good. That suits me.
You can bluff the good players, but not the bad players. Against the bad players, you have to have a hand.
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