A Quote by Johnathon Schaech
'Dark Circles' is a great relationship/character piece and also a horror film. It tinkered with the genre, which I loved. I was sick of seeing the same thing, sick of people just trying to get a movie made.
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I'm sick of seeing people get hurt and I'm sick of seeing people being made fun of.
But he was sick of this charade. Sick of watching people lose a little more of their humanity each day, and sick to death of seeing people tortured in the name of God. What had happened to these people?
I'm not trying to say that I'm sick of Supernatural in any way, nor am I sick of my character, because he changes all the time; it's just nice to do something different.
With The Exorcist we said what we wanted to say. Neither one of us view it as a horror film. We view it as a film about the mysteries of faith. It's easier for people to call it a horror film. Or a great horror film. Or the greatest horror film ever made. Whenever I see that, I feel a great distance from it.
The thing that makes a great genre movie is one that's not just entertainment, not just horror or sci-fi or whatever. The ones I love are the genre pictures with some subversive message underlying it all.
Somebody pointed out to me that there's no horror film on my resume, which is true, but I also don't really go see those movies. Although when I was thinking about it, I was thinking "I would probably have a really nice beach house if I made a horror movie." They seem to be very popular. I just don't think it's my thing.
The great thing about television is that you get to tell, like with "The Walking Dead", 16 hours worth of character-driven storytelling in less time than it takes to make a feature film. So, it really is a medium at least for storytellers who are passionate about not only the genre but also the character-driven genre stories. It's probably a better medium.
It is one thing to be sick of your own infirmities and another to understand that the people you love most are sick of them also. You are very near then to being friendless in the world.
People who work in horror know they are contributing to a genre that has always been loved and will always be loved - privately. It's the forbidden evil working behind the curtain. My job scoring a horror movie is like being the barker at a carnival. A good barker can get anyone to walk into the roped-off tent.
If I ever feel like I need to see someone to help me adjust to whatever life situation I'm seeing, I'll go. You're sick. When you're physically ill, you go to the doctor. It's the same thing about your mental. If you feel you're starting to get sick, you go see someone who can help you.
In any film business, if you're trying to get your next film made, you would never say, 'Oh, my last film was a cult film.' I'd say, 'Oh, great, well I hope this one isn't!' I always say to Johnny Knoxville, 'How do you do it? You sort of do the same thing we did, except you made millions, and I made hundreds.'
The problem with 'Don't Be Afraid of the Dark' was that it was designed to be a PG-13 movie. It was literally a horror movie for a younger generation. I was trying to do the film equivalent of teenage, young adult readers, and when they gave it an R rating, the movie couldn't sustain an R.
When I finish a film, I like to drastically change my appearance. I get sick of looking at the same thing in the mirror for months at a time. So when a film's over, I'll do something like shave my head.
There was no sign of Jules. “Bad news,” said Elliot. “The man is sick. You’re going to have to settle for me.” “Sick?” Vee demanded. “How sick? What kind of excuse is sick?” “Sick as in it’s coming out both ends.” Vee scrunched her nose. “Too much information.
I was generally pro-bat, except when I was trekking through the dark trying not to think about the dire fate of every horror movie character stupid enough to go into the dark with a flashlight and check the fuses.
'Hereditary' is unabashedly a horror film, whereas 'It Comes at Night' was a lot of things: it was a thriller; it was a postapocalyptic drama. It was a slow-building, very dark movie about relationships. 'Hereditary' is also about relationships, and I hope it functions as a vivid family drama, but it is also very much a horror film.
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