A Quote by Johnathon Schaech

'Phantom' follows some of the best submarine cold-war films made. There's just so much tension, I can't even describe it - you have to see it. — © Johnathon Schaech
'Phantom' follows some of the best submarine cold-war films made. There's just so much tension, I can't even describe it - you have to see it.
I come out of a Cold War sensibility, a Cold War mentality, and during those Cold War years, I used to know, I thought, the answers to everything. And since the end of the Cold War, I'm just a dumb as everyone else.
No one has done more to prevent conflict - no one has made a greater sacrifice for the cause for Peace - than you, America's proud missile submarine family. You stand tall among our heroes of the Cold War.
You have to nail the right tone because sometimes when you just see his films cold, you're not quite sure. It's the same in - I'm trying to think of other directors with a similar sense - David Lynch's films, Tim's films, some of Cronenberg's stuff.
When I grew up, in Taiwan, the Korean War was seen as a good war, where America protected Asia. It was sort of an extension of World War II. And it was, of course, the peak of the Cold War. People in Taiwan were generally proAmerican. The Korean War made Japan. And then the Vietnam War made Taiwan. There is some truth to that.
Some of the gangster films I made - not so much the 'Krays,' because I'm really proud of that - but some of the films I made after that... There are a few of those movies I wish I'd never gone near. I'm proud of about 10 percent that I've ever done. If I never see the rest again I won't mind.
If you're trying to get someone who's sick with a fever off of a submarine and it's cold and raining outside, the only way in and out of a submarine, generally, is through a fairly narrow hatch.
I go to see maybe seven films a year at the most, and since I only go to see the best, it follows that I very rarely see my own.
In that period, we had the Cold War mentality imbued through us - the Post-war [environment] and the Cold War. I think we were reflecting some of that. This was before the Wall collapsed, etc.
It's difficult to make the interesting feature films that don't fit easily into a genre, even on modest budgets. It's tough to get those films made, but I'd rather try to get those films made than compromise too much.
We've been in a period of relative stability and cooperation since the end of the Cold War among the world's major powers, but that may not always exist. And certainly one could even predict that there will be periods of hostility or tension ahead.
It's been very much in the blood since I started imagining films or shooting with 8mm when I was a kid. I made some films and thought about films, but then I went into writing. Becket is something that's definitely on the cards. We have to see where that fits in the schedule, because it's a big picture and I have a lot of writing obligations at the moment. I'm wary of anything with a budget over a certain amount.
The tension of a mysterious danger is even more unbearable than danger itself. People hate the vacuum of an unknown situation. They want security. They even prefer war to the insecure expectation of a war with its threat of enemy surprise. This vague fearful expectation acts on their fantasies. They anticipate all kinds of mysterious dangers; they begin to provoke them. It is the evocation of fear and danger in order to escape the tension of insecurity.
A movie is a creative process from its conception, through its writing, to its execution, to the editing. I think with the best films there is some kind of contribution from one person all the way through that. The best films are made by people who write, direct, and edit, so there's continuity.
The epithet beautiful is used by surgeons to describe operations which their patients describe as ghastly, by physicists to describe methods of measurement which leave sentimentalists cold, by lawyers to describe cases which ruin all the parties to them, and by lovers to describe the objects of their infatuation, however unattractive they may appear to the unaffected spectators.
The three words that best describe you are as follows, and I quote: stink. Stank. Stunk.
Kennedy was president for only 1,037 days, but during his short tenure, he achieved much. At the Cold War's most dangerous hour, he preserved the peace. He improved relations with the Soviet Union and replaced tension over Berlin with a limited test ban treaty.
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