A Quote by Johnny Carson

There's a lot of hypocrisy in audiences. I'd never dream of telling even on a nightclub stage, let alone my show, some of the jokes that are told in a lot of the living rooms from which we get those letters!
I have some speakers up here, thank God, because last night I didn't have them and I was telling jokes and I had no idea which joke I was telling. So I told jokes twice. I even told that one twice.
Well, the coffeehouse audiences never know what they're going to get, and all the comics are different, as opposed to when you go to a club, and they're pretty much all telling jokes with set-ups and punchlines. Coffeehouse audiences are the most forgiving: They really listen, which is the best part.
A lot of people get into stand-up as a back door into acting or something. But I really like writing jokes and telling jokes.
A lot of my humor centers on the act of telling jokes and I think this can prevent certain audiences from suspending their feeling of disbelief. It might piss a few people off, but I can't help it.
Since my act is a goofy reflection of what's going on in my life, I started doing pot jokes, and I noticed that audiences invariably love pot jokes. Even people who don't smoke pot think it's a funny subject. So when I started getting laughs, I started doing more material about it. When people come to see my shows, there are a lot of stoners in the audience, but there are also a lot of people who just like me. So I try to give a healthy mix, where people aren't going "There are too many jokes about pot!" or "There's not enough jokes about pot!"
I was a bit of a show-off at school. I told jokes a lot because I wanted to have friends.
I made some jokes about weed, got some laughs, made some more jokes, got some more laughs; next thing you know, I'm telling a lot of jokes about it.
I get a lot of letters - a lot of letters saying, who knew that you were funny?
I sat down and wrote some jokes and went to the talent show, got up on stage, fell in love with it and never turned back.
Working with Preme is always a dream come true. It's never like "I'm here and I'm comfortable." It's always like that very first time. It's a lot of jokes being cracked and we have a lot of fun.
Some of the worst violence in the world today between estranged religious and ethnic groups happens not on the battlefields. It happens smack in the middle of living rooms and between people who share a lot, who have a lot in common.
Some of those guys show a lot of promise, especially Anthony Joshua and Deontay Wilder. Even the kid Joseph Parker, who Joshua is about to fight, shows a lot of promise. I'm looking forward to some really exciting fights in the heavyweight division to come.
A lot of entertainment, and especially in a half-hour format, can be all jokes, all the time. And some of those jokes can be really, really funny, but what I respond to, as a viewers, is identification or caring about the characters.
There are jokes I know I want to tell, and there's sort of a rough order, but usually I try to change it up every show, to improvise and talk with the audience. I think when you tell jokes, if you're not careful, you can end up telling the whole list of jokes and then that's it. And that can get a little boring.
I get some letters from a lot of people. Sometimes it's nice, with letters from kids or from parents of kids who want to be tennis players, but I also get racist letters. It's really painful to receive something like that because you're not ready for that. You think to yourself, 'That's really bad.' But I realise that there are people like that.
'The Martin Show,' the 'Jamie Foxx show,' 'Living Single,' 'The Wayans Brothers,' 'Hanging with Mr. Cooper...' Some of these shows were good, some were typical television, but they facilitated a lot of work for blacks in front of as well as behind the camera. A lot of us in Hollywood thought it was the beginning of a real racial breakthrough.
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