A Quote by Johnny Cash

One day, I just decided I'm ready to go. So I went down with my guitar and sat on the front steps of Sam Phillips recording studio. — © Johnny Cash
One day, I just decided I'm ready to go. So I went down with my guitar and sat on the front steps of Sam Phillips recording studio.
Sam [Phillips] wanted I Walk The Line up - you know, up-tempo. And I put paper in the strings of my guitar to get that (vocalizing) sound, and with the bass and the lead guitar, there it was. Bare and stark, that song was when it was released. And I heard it on the radio and I really didn't like it, and I called Sam Phillips and asked him please not to send out any more records of that song.
Sam Phillips always encouraged me to do it my way, to use whatever other influences I wanted, but never to copy...if there hadn't been a Sam Phillips, I might still be working in a cotton field.
In a T-shirt and basketball shorts - that's just my go-to: I'm ready for a workout. I'm ready to go play basketball. I'm ready to go dance. I'm ready to go into the studio. It's my getup for anything. I can get it dirty, which is fine. I can sweat in it; it's fine. It's nostalgic because it's what I wore every day as a kid.
Making music is a lifestyle; go to the studio and sit in front of your computer, drum machine or guitar for 10 hours a day. The good stuff will come.
When I got my first email from a record label, I decided I didn't want to go in with just one song, so I sat down and kept on writing.
I dreamed of recording a guitar album since I started playing, but I just never felt ready. I never felt like I was the player that I wanted to be. But I had this epiphany: you're never going to feel ready.
I wanted to go back to writing for myself and my fans. I built my own recording studio, started my own label, and decided to use the Internet to sell my records.
I'm a recording studio guy, an engineer, a songwriter and a guitar player, in that order.
I met Sam Phillips when he came in [studio] and I said, I'm John Cash. I'm the one who's been calling. And if you'd listen to me, I believe you'll be glad you did. And he said, come on in. That was a good lesson for me, you know, to believe in myself.
I bought a Dutch barge and turned it into a recording studio. My plan was to go to Paris and record rolling down the Seine.
It was my 16th birthday - my mom and dad gave me my Goya classical guitar that day. I sat down, wrote this song, and I just knew that that was the only thing I could ever really do - write songs and sing them to people.
My stepfather had an electric guitar. He went to his pawn store one day to get a guitar and an amp, and I couldn't understand what I was hearing. All afternoon, I just sat against the amp and let it reverberate through me. Something must have stuck.
I never really sat down and decided, 'And now this is what I'm going to do.' I just do it.
You can alter movie singing so much because you go into the recording studio and, just technology for recording has gotten so good, you can hold out a note and they can combine a note from take 2 and a note from take 8.
Sam screamed the fun scream, and there it was. Downtown lights on buildings and everything that makes you wonder. Sam sat down and started laughing. Patrick started laughing. I started laughing. and in that moment, I swear we were infinite.
The first rap I recorded was on Jeezy's 'White Girl' beat. One of my partners invited me to his studio, so I go. I wasn't planning on recording, we were just messing around. And I started recording a song, just a freestyle. Back then, Jeezy was going so hard, that's what everyone was on. That's what me and my partners in the trap would listen to.
This site uses cookies to ensure you get the best experience. More info...
Got it!