A Quote by Johnny Cash

You've got a song you're singing from your gut, you want that audience to feel it in their gut. And you've got to make them think that you're one of them sitting out there with them too. They've got to be able to relate to what you're doing.
What's really cool is to be able to write music and have people around the world [who are] able to relate to it. They tell you that [your] song helped them get through a divorce or they got married to that song. It makes me want to keep doing that for [myself] and for people.
No matter what as an artist that's always what you want to do, you want to connect to the audience, you want to be able to send whatever message it is that you're singing about, you want to be able to convey that - and not make them feel - you want them to feel it, you want them to feel what you feel.
I think actually singing the words is more therapeutic than just sitting down to write them, because then you are letting it out, and it's coming from your gut.
These guys who keep on playing but aren't winning, you've got to sit them down and let them figure it out and perform a little gut-check on themselves.
With a feature film you're dealing with so much more money and you've got to be very aware of the fact that you're really working with an audience. You've got to have a relationship with the audience. Play with them and show them things you want them to see.
Whether I'm directing live action or animation, my responsibility is the same. I have an audience sitting in a theater with their popcorn, and I've got to show them a good time and make them feel something.
It's challenging to open for someone: You've got to prep the audience, get them in the mood, and get their attention if they don't know you. You're going to show them what songs you've got. You've got to leave your mark.
You can live by biblical principles, and you can teach by those principles and still be a winner. So many coaches think you've got to kick your players in the rear end. You've got to cuss them out. You've got to hit them across the head. No. You don't have to do that.
There's so much noise that's happening in our world, but the little voice that you've always got to listen to is your gut and your intuition, and you can do things and go beyond boundaries, if you to trust that gut and instinct.
The dreadlocks were easy to maintain: I got up in the morning and flicked my head. If they got too big, I'd pull them apart every now and again. In the end, I got too old for them.
If you want to do this, you've got to last. You've got to be well enough to carry your ideas. I'm not saying I've got great ideas, but if I do I need to be able to deliver them.
I never really got paid for 'Tell It Like Is,' but I look back at it and say God knew what he was doing; he probably figured that if I had got money back in them days, I wouldn't be here now. That's okay. I'm here. And I'm still singing the song.
Every 20 minutes you've got to have a bump, you've got to have a change in course, you've got to unsettle the audience. It can't be too predictable so something has to happen. I think that was something that Hitchcock did very well too. You couldn't let an audience feel too settled in.
Doing a concert, I look at a room full of different people, and I see you've got Muslims, you've got Jews, you've got Christians, you've got gays, you've got straights, you've got blacks, you've got whites. I think, 'How can I unite these people through song?'
I go by the gut. I might not appear to have any talent but I've got plenty of gut instinct.
When I was acting, I got trained in creating a character as a three-dimensional person. If you're doing it right you should be able to draw an audience into the character's world and make them feel their fears.
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