A Quote by Johnny Christ

Not a lot of hard rock bands are just letting it all be - they're adding a lot of samples on things, or effects or whatever - and we just wanted the drums to be raw so you could really hear what Brooks Wackerman is capable of.
Hard rock will always be hard rock, but you don't really know what is rock - and what isn't - anymore. I don't consider a lot of the pop things I hear on the radio to be rock 'n' roll. It's just kind of fragmented.
Hard rock will always be hard rock, but you don't really know what is rock - and what isn't - anymore. I don't consider a lot of the pop things I hear on the radio to be rock n' roll. It's just kind of fragmented.
The '80s really were - talk about no rules. People just did whatever they wanted; they could look however they wanted. There was just a lot of bigness and brightness.
I've played with the best drummers in rock, ranging from Josh Freese to Brooks Wackerman to even Dave Lombardo.
As I've evolved, I'm capable of doing a lot of things at once, but really, as an entrepreneur and business person, it's more about adding the right structure to be able to handle scaling all those things as opposed to being at the forefront of doing a lot of them.
I don't know, samples are just like unlimited ideas, you know? Sometimes a lot of people sample one song. A lot of it is also really just up to the artist and their creativity to see where it goes and what they want to do.
I never sit down to write. When I'm moved, I do it. I just wait for it to come. You just hear it. I can't really describe writing. It's in my head. I don't think about the styles. I write whatever comes out and I use whatever kind of instrumentation works for those songs...A lot of people don't listen to the lyrics, really. A lot of people pretty much only listen to the chorus.
To make a live record - something that has a lot of life in it - is difficult. After slaving away for years in the studio, when I hear a No Age record or when I hear Yeah Yeah Yeahs' first EP or when I hear DRI or really early punk stuff, it's just so powerful, so raw - and I know how hard that is to create. It's very deceptive. It's like a Dardenne brothers film - it seems like just a handheld camera following some people around in a trailer park, but it's incredibly difficult to do that.
I started playing guitar at, like, 12 or 13 and just rock bands mostly. I had a punk rock band and hard core bands and all that.
Most punk rock bands just have a guitar, bass and drums. The Descendents, the Ramones, you name 'em, it's just how it's always been.
It seemed so wimpy at first when I started to play [guitar]. So I started playing loud with lots of effects just to try to mimic the dynamic [of the drums]. Drums seemed a lot more expressive. [I was] Trying to emulate the feeling of playing the drums on the guitar - I guess that's why I played it so loud.
Aim high and don't sell yourself short. Know that you're capable. Understand that a lot of people battle with a lot of things - depression, body image or whatever else - so know that it's not just you. You're not alone.
I'm a very sensitive person at times. Not just to words that anybody says, but in relationships for example, the people that you open up to, you listen to, you hear - you know? So a lot of times, the key to some of my vulnerability is just through things, simple things - or critiques or whatever - or could be very simple things that are said.
I never pictured myself as just a rapper; I always wanted to act and do whatever else I could do. I always felt like I could do a lot of different things.
I think a lot of bands would just make a dark, bleak album, which is why we wanted to do the opposite. We wanted to let people know that there's hope out there, and that no matter how tough things get, they will always get better. I'm really proud of that.
We were all 16 and 17. When you're that age, you're just daydreaming all day. We had bands we loved - Green Day, Weezer, a lot of bands in the '90s - and we just wanted to have fun. We didn't overthink it too much.
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