I had left the music business and became a conflict journalist. The conflict journalism started for me in the Gulf and the oil spill. When Skynyrd needed a new bass player, they knew me from the Black Crowes.
With the Gulf spill, I absolutely merged in the time when I had that infection. I couldn't get out of the Gulf spill. There were so many similarities: the drains and the siphoning and the tubes. And also in the way the earth was hurt, the ocean was bleeding. Remember the video cams of the oil gushing? I couldn't stop watching that.
Later in high school, I met Hillel Slovak, who was the original guitar player of the Chili Peppers, and we became really close. We had a band, and we didn't like the bass player, so I started playing bass, and I got a bass two weeks later.
What's interesting to me is drama and conflict. Things aren't interesting without conflict and resolution of conflict - or striving towards a resolutions of conflict.
Adults who loved and knew me, on many occasions sat me down and told me that I was black. As you could imagine, this had a profound impact on me and soon became my truth. Every friend I had was black; my girlfriends were black. I was seen as black, treated as black, and endured constant overt racism as a young black teenager.
From the first moment that I can remember, I had identified myself as a bass player and it had everything to do with my father, who was a bass player. And he loved music, you know, as much as anybody I've ever seen. And that dynamic I just thought as somehow was a straight pass to me.
I had business experience. I had made my living designing and building electronic equipment. Basic business was not new to me, but the music business was completely new to me. I knew nothing about distribution, or any of those things.
From the first moment that I can remember, I had identified myself as a bass player and it had everything to do with my father, who was a bass player. And he loved music, you know, as much as anybody Ive ever seen. And that dynamic I just thought as somehow was a straight pass to me.
Before journalism, I had worked doing medical aid work in conflict zones. Then, as a journalist, I had written about hospitals in war zones.
When you have a conflict, that means that there are truths that have to be addressed on each side of the conflict. And when you have a conflict, then it's an educational process to try to resolve the conflict. And to resolve that, you have to get people on both sides of the conflict involved so that they can dialogue.
All my journalism, all my books are first person, and it's all memoir. Even when I'm writing about the oil spill in the Gulf, it's all first person there.
I reluctantly signed up for a journalism major, thinking I needed a fall-back way to make money should my career as a novelist fail to take off. As I started to try on journalism, including doing internships and working at the campus paper, I found I actually liked it. So I started to want to be a journalist.
I knew Glenn Frey. He called me up in 1977 and told me The Eagles were looking for a bass player, preferably someone who could write and had a high voice. That was me.
I'm 13 to 17, 18 years old; I thought that's what the world was like. It never occurred to me that this was a very unusual period in music history. So I went on assuming that one day I'm going to have my band like my heroes had their own band. So people ask me this question all the time - they go, "Bass is basically a background instrument." The other thing is that in urban music, Black music, the bass has a much higher profile.
It would be nice if we didn't have to drill for oil in the gulf. We have this shallow continental shelf on the west coast of Florida, and it would be a real disaster if we had a major oil spill there. It would be wonderful if we could find some other source of energy.
I spent so much time at Escuela Caribe denying my true emotions and avoiding conflict that I became unsure of what my feelings really were. This is something that affects me to this day. I feel extremely uncomfortable during arguments, to the point of shutting down and not saying anything, like a turtle retracting into its shell. I can't stand conflict.
We all remember the BP oil disaster in the Gulf of Mexico, the worst oil spill in U.S. history. What is less well known is that BP is claiming a 9.9 billion tax deduction on the money they had to spend cleaning up their own mess and paying for damages they caused. That is absurd.