A Quote by Johnny Depp
No one wants to go out mid-sentence.
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I don't think anybody's necessarily ready for death. You can only hope that when it approaches, you feel like you've said what you wanted to say. Nobody wants to go out in mid-sentence.
I was mid-sentence when the casting director said, "Listen, kid. You should not be an actress. You are not pretty enough. You should go back to wherever you came from and you should go to school. You don't have it." She was very blunt - I honestly think that she thought she was doing me a favor.
I start with voice, maybe a sentence. That sentence might embody an image, and I go from there. One sentence to the next. Sound drives the work these days - sound before description.
Writing is linear and sequential; Sentence B must follow Sentence A, and Sentence C must follow Sentence B, and eventually you get to Sentence Z. The hard part of writing isn't the writing; it's the thinking. You can solve most of your writing problems if you stop after every sentence and ask: What does the reader need to know next?
Mid-afternoon, I'll go out and do the household errands, come home, do my gardening, go for an evening walk.
Being in the dark from sentence to sentence is what convinces me to go on.
But sometimes when I was starting a new story and I could not get it going, I would sit in front of the fire and squeeze the peel of the little oranges into the edge of the flame and watch the sputter of blue that they made. I would stand and look out over the roofs of Paris and think, 'Do not worry. You have always written before and you will write now. All you have to do is write one true sentence. Write the truest sentence that you know.' So finally I would write one true sentence, and then go on from there.
I leave off mid-sentence, and then can finish it the next day with less anxiety expended than for a new thought.
It's not a mid-life crisis. It's a mid-life disaster. A mid-life crisis is when you wake up with everything and you go "I have everything but I'm still unhappy."
Look, I have a completely normal relationship with Sarri. I don't go out for dinner with him. I don't go round to his house. Our work is very professional: he speaks and explains what he wants me to do, and I try to implement what he wants on the pitch.
Your whole life and the story of your journey is the landscape picture on the front of the box of a 1,000 piece puzzle. The pieces are each a small sticky note that ends in mid-sentence. You simply need to figure out where each one starts and ends.
No one wants to work for what they have, to achieve a goal. No one wants to step outside of the house and go for a long run and sweat. Everybody wants to run inside the house, the treadmill. They want to trim up a little excess body fat, but they don't want to diet and train. Go straight to the lipo and whatever else they do. The easy way out.
The first sentence of the truth is always the hardest. Each of us had a first sentence, and most of us found the strength to say it out loud to someone who deserved to hear it. What we hoped, and what we found, was that the second sentence of the truth is always easier than the first, and the third sentence is even easier than that. Suddenly you are speaking the truth in paragraphs, in pages. The fear, the nervousness, is still there, but it is joined by a new confidence. All along, you've used the first sentence as a lock. But now you find that it's the key.
Mad dogs and Englishmen go out in the mid-day sun.
When I was a kid, we used to play this thing called 'the writing game' with our father. My brother and I would play it - where first person writes a sentence, and the second person writes a sentence, and the third person writes a sentence, and so on until you get bored and have to go to bed.
There are days when I definitely look in the mirror and go, "All right, I need to find a cream." I can't foresee myself ever going under the knife, but then again, I'm only in my mid-thirties. Maybe it's different when you're in your mid-sixties.
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